Name: Candlelight Concert
Start: 2022-09-14T00:00:00.000Z
End: 2022-09-14T00:00:00.000Z
Location: Stadtkirche

Organization

Bayreuth Baroque Opera Festival

Conductor

Markellos Chryssicos

Armonia Atenea

Singer

Countertenor

Max Emanuel Cencic

counter tenor

Stefan Sbonnik

Discepolo / Consigliero

Maayan Licht

Herodiade la Figlia

Bass

Sreten Manojlovic

bass

Jake Arditti

Herodiade la Madre

Candlelight Concert

Bayreuth

Germany

Stadtkirche

San Giovanni Battista Stradella

Public

St John the Baptist

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Mezzo-soprano

Tenor

Baritone

Bass-baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

The opera didn’t have an easy time of it in seventeenth-century Rome; as a secular genre, it was too much at the mercy of papal censure. No wonder, then, that oratorios with a religious content were among the most popular and successful works in the Papal States. The scandal-ridden career of the Bolognese musician Alessandro Stradella would itself have provided rich material for many an opera – this is demonstrated at least by Friedrich von Flotow’s romantic opera of 1844 – but as a composer Stradella was able to make a name for himself primarily through his visionary instrumental music and his oratorios composed for Rome.

For Palm Sunday celebrations in 1675 he composed the popular biblical narrative for the church of San Giovanni dei Fiorentini: St John the Baptist comes to the court of Herod to denounce him for his adulterous relationship with his beloved Herodias. Everyone knows the plot: in doing so the holy admonisher loses his head; Herodias’s daughter had danced for Herod in too seductive a manner – a story that inspired musicians and the visual arts as did hardly any other through the centuries all the way to Richard Strauss’s Salome. Stradella’s oratorio is an early masterpiece of subtle sound configurations that attain complex portrayals through music of the individual figures. Since the conditions of the first performance made “Salome’s Dance of the Seven Veils” impossible – women were prohibited from the stage just as were scenic interpretations of the Bible – the young princess enthrals here through song – a miracle in the art of musical seduction!  Faithful to the first performance, the Bayreuth Baroque Opera Festival presents an all-male cast in this far too rarely performed work.


Markel

English

Candlelight Concert by Stradella, Ó (2022/2022), Seoltóir Markellos Chryssicos, Armonia Atenea, Stadtkirche, Bayreuth, Germany

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid