Name: Cantus Ensemble & MBZ
Start: 2023-04-17T00:00:00.000Z
End: 2023-04-17T00:00:00.000Z
Location: Pogon Jedinstvo

Admin

Music Biennale Zagreb

Others

Cantus Ensemble

Conductor

Berislav Šipuš

Pianist

Viktor Čižić

Sampler

Srebrenka Poljak

Electronics

Višeslav Laboš

Pogon Jedinstvo

Instrumentalist

Hrvoje Sekovanić

Percussion

Marko Mihajlović

Viktor Rafajlovski

Piano

Cantus Ensemble & MBZ

Zagreb

Croatia

Cantus Ensemble & MBZ: Musik Für Judith Kelemen (+3 More)

Public

Private

Musik Für Judith

Möbius Strip

Cosmic Landscape

Locus...doublure...solus

Samabedona Majumder

Approved

Bass

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Mezzo-soprano

Countertenor

Soprano

Bass-baritone

Baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

In addition to announcing the first performance of Olja Jelaska’s piece, it is worth mentioning other composers who, like her, have moved away from the composing tradition as well as from traditional listening and critical strictures by using a more organic approach, that is by returning to the classical chamber ensemble, sometimes together with electronics. The common denominator of their new musical features is the deconstruction of composing techniques or the broadening of the standard perception of timbre, tonality and, historically speaking, musical rhetoric. On the one hand, Olga Neuwirth in her piece - the piano concerto explores different aspects of the pianistic style in her composition while introducing a sampler as a double that extends the piano’s range with microtones, as well as the attempts of the ensemble to challenge its own instruments in order to create some kind of expanded musical space.

On the other hand, Gadenstätter, who is nearly as important both as a thinker and a composer, starts from the hypothesis that listening is not just a biological and physiological fact, but a learned behavior, so he chooses the new music as the most reliable musical umbrella under which one can practice “the perceiving of a perception,” and then its expansion. So, in the composition Iconosonics he disassembles and reassembles historically codified musical-rhetorical figures, iconic signs (such as the storm and the battle) originally found in the history of Western music in madrigals, and then in oratorios, operas and program music of the 19th and 20th centuries. Playing with human perception, Gadenstätter works to accentuate the enlightening discomfort created by the tension between the recognition of a codified meaning of the figure and its gradual shift from the traditional context in the presence of the listener. A performance in the Jedinstvo Plant, an incubator of alternative artistic activities will no doubt contribute to this shift from the traditional listening context, i.e. the concert.

English

Cantus Ensemble & MBZ by Kelemen, Jelaska, Sakač, Neuwirth, Od (2023/2023), Dirigent Berislav Šipuš, Pogon Jedinstvo, Zagreb, Croatia

Uznanie za predstavenie (Obsadenie & Tím )

Súbor

Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania