Name: Capriccio
Start: 2016-11-03T00:00:00.000Z
End: 2016-11-16T00:00:00.000Z
Location: Palais de la Monnaie

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Organization

Singer

Soprano

Sally Matthews

The Countess

Baritone

Dietrich Henschel

The Count

Tenor

Edgaras Montvidas

Flamand

Lauri Vasar

Olivier

Bass

Kristinn Sigmundsson

La Roche

Contralto

Charlotte Hellekant

Clairon

François Piolino

Monsieur Taupe

Elena Galitskaya

An Italian singer

Dmitry Ivanchey

Christian Oldenburg

The Major-Domo

Conductor

Lothar Koenigs

Stage director

David Marton

Costume designer

Pola Kardum

Set designer

Christian Friedländer

Lighting designer

Henning Streck

Dramaturge

Barbara Engelhardt

Zeno Popescu

Eight Servants

Nabil Suliman

Vincent Lesage

Bertrand Duby

Kris Belligh

Pierre Derhet

Maxime Melnik

Artur Rożek

La Monnaie/De Munt

Opéra de Lyon

Orchestra

La Monnaie Symphony Orchestra

germană

Capriccio

Brussels

Belgium

Palais de la Monnaie

Capriccio Strauss,R

Public

Private

franceză

olandeză

Approved

De mooiste vruchten pluk je in de herfst - ‘Capriccio’, de laatste opera van Richard Strauss. – http://bit.ly/2cFtEs8----------------------------------------...

‘An opera is an absurd thing. Orders are given in song; politics is discussed in a duet. One danses around a grave, and dagger thrusts are dealt out in music.’ In Capriccio, his last opera, Richard Strauss reflects on the opera genre, and more especially on the question of which actually takes priority – the music or the words. This dilemma is depicted metaphorically in this ‘Konversationsstück für Musik’: an 18th-century countess is faced with the heart-rending choice between the love of a composer and that of a poet. Strauss’s musical voice is here full of dramatic power, humour, and sentiment and reaches a peak of refinement, sometimes flirting with chamber music. In his debut at La Monnaie, the Hungarian director David Marton creates a dream-world in which theatre itself appears on stage, and the conductor Lothar Koenigs spurs our orchestra to heights of subtlety. ‘If you choose one, you lose the other! Doesn’t one always lose, when one wins?’

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