Name: Cardillac
Start: 2021-01-15T00:00:00.000Z
End: 2021-01-22T00:00:00.000Z
Location: Teatr Wielki - Opera Narodowa

Organization

Tenor

Wojeciech Parchem

Der Offizier

Bass

Artur Janda

Der Führer

Dramaturge

Marcin Cecko

Baritone

Tomasz Konieczny

Cardillac

Soprano

Izabela Matuła

Die Tochter

Wojtek Gierlach

Der Goldhändler

Pavlo Tolstoy

Der Kavalier

Katarzyna Szymkowiak

Die Dame

Conductor

Tim Murray

Stage director

Mariusz Treliński

Set designer

Boris Kudlička

Costume designer

Wojciech Dziedzic

Video designer

Bartek Macias

Lighting designer

Felice Ross

Chorus master

Mirosław Janowski

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

nemčina

Warsaw

Poland

Cardillac Hindemith

Public

poľština

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Countertenor

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

An elusive murderer is on the loose in Paris. He preys on the clients of a renowned jeweller by the name of Cardillac. Following the latest murder, the city’s residents are frustrated to the point of erupting into riot. The young detective at the helm of the investigation has a lead suggesting the involvement of the maker of desirable jewellery himself. At the same time, Cardillac’s daughter is planning to run away from home with her beloved. Her work-obsessed father is unimpressed with the idea. A confrontation between the girl’s sweetheart and her father reveals the identity of the murderer, who is lynched by the angry crowd. 

Paul Hindemith’s Cardillac (1926) is one of the most compelling 20th-century operas, a true thriller based on Das Fräulein von Scuderi, a story by the master of fantasy and Gothic fiction, E.T.A. Hoffmann. Young Hindemith was a daringly original music writer, a remarkable innovator. Around 1925, however, he made a U-turn towards German baroque and romantic tradition. Far from becoming an imitator though, he remained an independent artist looking for fresh inspiration in the olden forms.

There’s not a iota of its literary prototype’s historicism in Cardillac. The opera is an example of New Objectivity that rejected the pathos and sentimentality towards the past. The story becomes even more relevant in this day and age. After all, fascination with and fetishisation of valuable objects is the essence of present-day capitalism. Socially mandated productivity calls for glorification of work and perfectionism. Feeling empty inside, the opera’s protagonists try to fill the void with ersatz love or the fantasy of death. There is also a clash of generations, with the jeweller’s daughter embodying triviality and her father being the personification of seriousness and seeming ethos. At its core, the story is an attempt to understand a serial killer – an individual who puts themself above morality and the society. In their take on the opera, director Mariusz Treliński and set designer Boris Kudlička approach it as film noire that poses as great entertainment but in fact offers insight into a killer’s mind. They move the action the present time, or perhaps near future.

It is probably due to its interpretative ambiguity and excellent vibrant polyphonic music that Paul Hindemith’s Cardillac is so eagerly staged internationally. In Poland, however, the composter of the opera Matthis der Maler has been consistently absent from opera listings. This production from Treliński and Kudlička goes against the trend. This is also the first time Hindemith’s music will be heard at the Polish National Opera since the ballet Theme with Variations: The Four Temperaments was shown here in 1962. The opera is a co-production with the Oper Köln and Teatro Real Madrid. Excellent baritone Tomasz Konieczny stars as Cardillac, a role he regularly performs at the Wiener Staatsoper.

English

Cardillac by Hindemith, Od (2021/2021), Režírované Mariusz Treliński,, Dirigent Tim Murray, Teatr Wielki - Opera Narodowa, Warsaw, Poland

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Posádka

Súbor

Program, informácie a súhrn

Videá

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

Miesto konania