Name: Carmen
Start: 2022-02-19T00:00:00.000Z
End: 2022-04-20T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Maestro

Alexey Nyaga

Diretor de Palco

Georgy Isaakyan

Cenógrafo

Elena Solovyova

Designer de Iluminação

Evgeny Ganzburg

Mezzo-soprano

Tatiana Larina

Carmen

Tenor

Ilya Govzich

Don José

Soprano

Lyubov Zakharova

Micaëla

Barítono

Vladimir Borovikov

Escamillo

Irina Yantseva

Frasquita

Roman Nikolaev

Moralès

Baixo

Renat Latypov

Zúñiga

David Pogosyan

Remendado

Alexander Anisimov

Estilista

Andrey Danilov

Anna Kostenko

Georgy Tsvetkov

Andrey Antonov

Tatyana Gorshkova

Anatoly Nevdakh

Anastasya Vecherkina

Mercédès

Samara Academic Theatre of Opera and Ballet

francês

Samara

Rússia

Carmen Bizet

Public

Private

russo

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor

Libretista

Coreógrafo

Dançarino

Ator

Mestre de Coro

Designer de Vídeo

Dramaturgo

Tradutor

Designer de Som

Repetidor

Maquiador

Produtor executivo

Estilista de cabelo

Other

Stage Manager

Coral

Orquestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Contralto

Contratenor

Baixo-barítono

Spoken

Vocalista Infantil

Silent

Alto

Continuo

The plot of "Carmen" is taken from the short story by Prosper Merimee, but its content has undergone significant changes. Henri Meilhac and Ludovic Halévy developed the libretto, saturating it with drama, deepening the emotional contrasts, creating new images of the characters, in many respects different from their prototypes. At the center of the cycle of events is a beautiful, passionate and freedom-loving gypsy. The music of the opera, full of life and light, vividly affirms the freedom of the human person. The national flavor and atmosphere of the drama are recreated with great skill. The strength of Carmen's optimism lies in the inseparable inner connection between the heroes and the people.

This is the last opera by Georges Bizet, and it has passed a thorny path to fame and the stages of world theaters. The first production of Carmen, oddly enough, ended in complete failure. The audience was not ready for such realism on stage and the newspapers accused the composer of immorality. However, it was the negative reviews that made Carmen immensely popular. To a large extent, the return of the opera to the Parisian stage was facilitated by triumphant tours in Europe, Russia and America. Pyotr Tchaikovsky wrote: “Bizet’s opera is a masterpiece, one of those few things that are destined to reflect the musical aspirations of an entire era to the strongest degree. In ten years, Carmen will be the most popular opera in the world…”. And so it happened - after a century and a half, Carmen is invariably present in the top 10 most performed operas on the planet.

During the 20th century, ten productions of Carmen have changed in Samara. This performance is already the eleventh. Particularly noteworthy was the 1984 performance directed by Zemfira Tsalikova, the first female musical theater director from North Ossetia. Her "Carmen" stayed in the repertoire for 27 seasons, and two directors of our theater managed to sing in it: tenors William Semashko and Alexander Sibirtsev went on stage in this production as Jose.

Stage director Georgy Isahakyan warned before the premiere: “We will start, as in the story of Merimee, from the memories of Jose on death row - we make this idea the main one for our story. It always seemed to me that Carmen seems to be for everyone, but in fact she is always alone and for herself. Spain, of course, penetrates the performance, but it goes in a very refined and cultural way. And in this sense, we certainly have a connection between the 19th century and the 21st.”

English

Carmen by Bizet, De (2022/2022), Dirigido por Georgy Isaakyan, Alexander Anisimov,, Regente Alexey Nyaga, Andrey Danilov, Samara Academic Theatre of Opera and Ballet, Samara, Rússia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos