Organization

Singer

Mezzo-soprano

Ramona Zaharia

Carmen

Tenor

Andris Ludvigs

Don José

Baritone

Jānis Apeinis

Escamillo

Rihards Mačanovskis

Soprano

Dana Bramane

Michaela

Bass

Krišjānis Norvelis

Zuniga

Viesturs Vītols

Kalvis Kalniņš

Dancaire

Juris Ādamsons

Mihails Čuļpajevs

Remendado

Viesturs Jansons

Inga Šļubovska

Frasquita

Laura Grecka

Mercedes

Ilona Bagele

Rihards Millers

Morales

Armands Siliņš

Conductor

Jānis Liepiņš

Stage director

Marie-Eve Signeyrole

Set designer

Fabien Teigné

Costume designer

Yashi

Lighting designer

Philippe Berthomé

Normunds Vaicis

Choreographer

Guntis Spridzāns

Video designer

Artis Dzerve

Mārtiņš Ozoliņš

Artem Safronov

Zanda Švēde

Latvian National Opera

Others

Choeur Latvian National Opera Choir, Riga Dome Boys' Choir

Orchestra

Latvian National Opera Orchestra

italiera

Riga

Latvia

Carmen Bizet

Public

letoniera

ingelesa

Approved

KARMENAŽorža Bizē opera četros cēlienosMuzikālais vadītājs un diriģents Jānis LiepiņšDiriģents Normunds VaicisRežisore Marija-Eva SinjerolaScenogrāfs Fabjēns...

CARMEN An opera by Georges Bizet in four acts Musical director and conductor Jānis Liepiņš Conductor Normunds Vaicis Director Marija Eva Sinjerola Scenographer Fabien Tenier Costume designer Yashi Lighting designer Filips Bertome Soloists, LNO orchestra and choir Admired and hated by women, desired and condemned by men, Carmen changes the world around her. The hatred towards her was born in the lust that this woman arouses... Director Marija-Eva Sinierola explains about her debut on the LNO stage: We decided to portray Carmen's story in the suburbs, on the outskirts of the big city: children playing in yards and provoking the police, drug dealers' showdowns, street artists and dancers who seek to express themselves... A small and violent world characterized by the incredible cruelty of human relations and a burning thirst for freedom. More:https://www.opera.lv/lv/izrade/karmena/

At the same time celebrated and hated by her own sex, desired and punished by the opposite one, Carmen upsets. The hatred she causes comes from the desire she arises... Stage Director Marie-Eve Signeyrole explains on her debut at the Latvian National Opera: We chose to place Carmen’s action in a suburb, in the outskirts of a big city: the children who play outside and provoke the police, drug dealers settling scores, street artists and dancers trying to expressing themselves… A small scale and violent world marked by the extreme hardness of human relationships. We needed a place where sensuality, desire and freedom are forbidden by the social context. Carmen’s body has to be in itself a counterpoint to the concrete body of the buildings. A kind of new feminism related to the populations of the suburbs; an assumed femininity that plays with the rules established by men.

English

Tajā pašā laikā sava dzimuma svinēta un nīsta, pretējā dzimuma vēlēta un sodīta, Karmena apbēdina. Naids, ko viņa izraisa, rodas no vēlmes, ko viņa rada... Režisore Māra Ieva Signeirola debijā Latvijas Nacionālajā operā skaidro:Mēs izvēlējāmies Karmenas darbību novietot priekšpilsētā, lielas pilsētas nomalē: bērni, kas spēlē ārā un provocē policiju, narkotiku tirgotāji, kas norēķinās, ielu mākslinieki un dejotāji, kas cenšas izpausties... Maza mēroga un vardarbīga pasaule, ko raksturo cilvēku attiecību ārkārtējā grūtība. Mums bija vajadzīga vieta, kur jutekliskumu, vēlmi un brīvību aizliedz sociālais konteksts. Karmenas ķermenim pašam par sevi ir jābūt pretpunktam ēku betona korpusam. Sava veida jauns feminisms, kas saistīts ar priekšpilsētu iedzīvotājiem; pieņemta sievišķība, kas spēlējas ar vīriešu

latviešu

Carmen by Bizet, Noiztik (2022/2023), Zuzendaria Marie-Eve Signeyrole,, Zuzendaria Jānis Liepiņš, Normunds Vaicis, Mārtiņš Ozoliņš, Latvian National Opera, Riga, Latvia

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