Organization

Soprano

Kristina Kolar

Santuzza

Tenor

Domagoj Dorotić

Turiddu

Contralto

Sofija Cingula

Lucia

Baritone

Robert Kolar

Alfio

Mezzo-soprano

Emilia Rukavina

Lola

Singer

Giuseppe Nicodemo

Mercenaries

Jasmin Mekić

Stage director

Dražen Siriščević

Conductor

Valentin Egel

Croatian National Theatre “Ivan PL. Zajc” Rijeka

Others

Riječki operni zbor

Orchestra

Croatian National Theatre Ivan Zajc Opera Orchestra

Cavalleria rusticana -  (Rustic Chivalry)

Rijeka

Croatia

Public

Rustic Chivalry

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Cavalleria rusticana Mascagni

We would like to thank the Croatian Restoration Institute, Mr. Toni Šaina from the Department of Mural Painting and Mosaics in Rijeka, for their insight into the numerous Istrian frescoes.

 

But Kristina Kolar as Santuzza captivated the stage with her stature and voice throughout the performance. Already in the first aria she achieved unsurpassed drama, and it was especially exciting to listen to her great duet with Turriddu. Her gentle chants, lightness of melodic expression, perfectly crafted dynamics and impeccably clean strong heights, along with the actor’s expressive face, created a magnificent experience of her character on stage, drawing out shouts of pleasure from the audience.

Gloria Fabijanic Jelovic, Vijenac

 

The dramatic electrified duet of Santuzza and Turridu "Tu, qui Santuzza?" We lived very intensely and will remain in our memory for a long time even after the curtain fell, („)

Robert Kolar's staunch baritone perfectly outlined Alfie's rage, and Kolar's stage play made his blood run cold. ()

Alan Vukelic's cross-shaped scenography perfectly outlined the atmosphere of Easter in a village in Sicily. Also, the scenography figured well in the situation in which the orchestra is in the depths of the stage. Sandra Dekanić's costume design hit as usual on Wednesday. Santuzza is dressed in black from head to toe, which is absolutely in line with her psychological condition. Other characters reflected the spirit of southern Italy. Dalibor Fugošić's light followed the music very well and used the entire capacity of the space. Video projections of Vedran Perišić Pera were based on Istrian frescoes, which is a great idea, commented on and praised by the audience during the play.

English

Rustic Chivalry by Mascagni, Od (2022/2022), Režírované Dražen Siriščević,, Dirigent Valentin Egel

Uznanie za predstavenie (Obsadenie & Tím )

Obsadenie

Súbor

Program, informácie a súhrn

Fotografie

Ďalšie čítanie

Termíny a miesta vystúpení

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