Name: Christmas Oratorio
Start: 2023-12-07T00:00:00.000Z
End: 2023-12-07T00:00:00.000Z
Location: Victoria Hall

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Orchestre de la Suisse Romande

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Orchestre de Chambre de Lausanne

Ensemble Vocal de Lausanne

Conductor

Diego Fasolis

Singer

Soprano

Lydia Teuscher

Sopran

Lucia Cirillo

Contralto

Tenor

Bernhard Brechtold

Klaus Mertens

Bass-Baritone

Christmas Oratorio

Stoke-on-Trent

United Kingdom

Victoria Hall

Public

Rahul Karaguppi

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

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Flutist

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Musette de cour Player

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Chorus master

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Illustrator

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Bass

Countertenor

Baritone

Bass-baritone

Mezzo-soprano

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Continuo

Silent

Spoken

Christmas Oratorio: Weihnachts-Oratorium, BWV 248 Bach, J. S.

Bach conceived his Christmas Oratorio as a coherent whole in the form of six cantatas intended to be played during the thirteen liturgical days of Christmas time, reusing earlier compositions as usual. Let us not forget that the composers of that time did not expect to be replayed, which explains the frequent reuses that Bach made of his own music in order not to lose his work. He drew on virtually all the opening choruses and arias in his fairly recent secular and sacred works. However, the genius of Bach and the patina of Time have erased all traces of disparity by giving the process of parody the illusion of a work entirely written for the occasion. Diego Fasolis has chosen to present four cantatas. The first is written for Christmas morning by greeting “the greatest of Kings”, the second evokes the annunciation to the shepherds in a very pastoral atmosphere. The third cantata is the moment of adoration of the shepherds while the sixth will conclude our program with the Adoration of the Magi in a brilliant manner with trumpet and timpani forces in joyful exaltation.

English

Bach a conçu son Oratorio de Noël comme un tout cohérent sous la forme de six cantates destinées à être jouées durant les treize jours liturgiques du temps de Noël en réutilisant selon son habitude des compositions antérieures. N’oublions pas que les compositeurs de ce temps-là ne s’attendaient pas à être rejoués, ce qui explique les fréquents réemplois que Bach fit de sa propre musique pour ne pas perdre son travail. Il puisa pratiquement dans tous les chœurs d’ouverture et toutes les arias dans ses œuvres profanes et sacrées assez récentes. Toutefois, le génie de Bach et la patine du Temps ont gommé toute trace de disparité en donnant au procédé de la parodie l’illusion d’une œuvre entièrement écrite pour l’occasion. Diego Fasolis a choisi de présenter quatre cantates. La première est écrite pour le matin de Noël en saluant “le plus grand des Rois”, la deuxième évoque l’annonciation aux bergers dans une ambiance très pastorale. La troisième cantate est le moment d’adoration des bergers alors que la sixième conclura notre programme avec l’Adoration des mages d’une manière brillante avec forces trompettes et timbales dans une joyeuse exaltation.

français

Christmas Oratorio by Bach, J. S., Noiztik (2023/2023), Zuzendaria Diego Fasolis, Victoria Hall, Stoke-on-Trent, United Kingdom

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