Name: Così fan tutte
Start: 2023-06-11T00:00:00.000Z
End: 2023-06-11T00:00:00.000Z
Location: Warszawska Opera Kameralna

Organization

Festiwal Mozartowski w Warszawie

Reżyseria

Marek Weiss

Scenografia

Hanna Szymczak

Kostiumy

Dyrygent

Vladimir Kiradjiev

Śpiewak

Sopran

Anna Mikołajczyk

Fiordiligi

Mezzosopran

Elzbieta Wroblewska

Dorabella

Sylwia Krzysiek

Despina

Tenor

Aleksander Kunach

Ferrando

Baryton

Tomasz Rak

Guglielmo

Lukasz Klimczak

Don Alfonso

Pianista

Marta Kostrych

Warszawska Opera Kameralna

Others

Vocal Ensemble of the Warsaw Chamber Opera

Orchestra

Musicae Antiquae Collegium Varsoviense

Così fan tutte

Warszawa

Polska

Così fan tutte Wolfgang Amadeus Mozart

Public

Private

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontralt

Kontratenor

Bas - baryton

Alto

Continuo

Głos dziecięcy

Silent

Spoken

“The work is considered a comedy with an incredible plot, in which two young men dress up as exotic admirers and seduce their unaware fiancés. The goal is to test their fidelity and win a bet with a love affair veteran claiming that there are no faithful women and all end up cheating on their partners. For some fans of Mozart, however, this is the most complex and bitter masterpiece in which divine music covers in a beautiful form the terrible truth about human helplessness in the face of the contradiction between the temptation of sex and the idea of love. I share this point of view and in my production I show how deeply Mozart with Da Ponte reaches in their critique of the hypocrisy and meanness that the women are perpetrated by the male world.

The perfidy of their idea does not lie in dressing up, but in changing partners at the same time. It means that each gentleman deliberately and with impunity seduces his friend’s fiancée. I assumed there was no chance they wouldn’t be recognized. So the whole game is played consciously. Initially, women resist having fun. One resists shorter and the other longer, in line with their sexual temperament. The game leads both sisters to believe that the switch is in line with their true inclinations. So the initial determination of “who with whom” turned out to be wrong. Now it has become clear who should spend their lives with whom. But suddenly the game is over and the men want to go back to the official version.

They hold a grudge against the women, although they are the ones who initiated the game and participated in it with no qualms. In my opinion, they are mean and their title statement that “all women do it” is presumptuous. In order to get this sense out of the fun convention, we made some interpretations in our staging. I believe that they do not violate the intentions of the opera’s creators, but bring them closer to viewers brought up in a different morality and familiar with many bitter truths about human inclinations, which in the Mozart era could not be the subject of public consideration. My performance is against libertines and lotharios who dress their corruption and contempt for women in philosophical theses and wisdoms that are supposed to testify the experience, and in fact are the result of increasing impotence and a sense of rejection. It is they who spoil young people longing for pure love.

They are the ones who manipulate values in the world of art and reflection on human being, taking away our hope for a positive dimension of human feelings. They are the ones who make sex a false religion and the ultimate truth that cannot be appealed. They argue that having fun is the highest good in life, and the seriousness of love is ridiculous and pathetic […] – scoundrels proclaiming their pathetic truth about women, whom they treat as objects deprived of individuality and dignity. Unfortunately, sometimes I feel like one of them. So this performance is also my repentance and a form of apology for my lowdown thoughts and deeds. Someone might say that the opera house is not a place for personal settlements. But opera is a theatre, and this is already a place where personal confessions are the foundation.”

English

Così fan tutte by Mozart, od (2023/2023), W reżyserii Marek Weiss,, Dyrygent Vladimir Kiradjiev, Warszawska Opera Kameralna, Warszawa, Polska

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca