Name: Das Lied von der Erde
Start: 2022-11-09T00:00:00.000Z
End: 2022-11-10T00:00:00.000Z
Location: Théâtre du Châtelet

Organization

Wiener Festwochen

Le Festival d'Automne à Paris

Direzione d'orchestra

Emilio Pomárico

Regia

Philippe Quesne

Scenografia

Drammaturgia

Camille Louis

Cantante

Tenore

Maximilian Schmitt

Tenor

Mezzosoprano

Christina Daletska

Mezzosopran

Luci

Nico de Rooij

Musical Assistant

Gabrielė Bakšytė

Assistant Stage Director

François-Xavier Rouyer

Assistant Set Designer

Elodie Dauguet

Costumi

Ajla Ayidan

Théâtre du Châtelet

Others

Klangforum Wien

Das Lied von der Erde -  (Il Canto della Terra)

Parigi

Francia

Das Lied von der Erde

Private

Public

Il Canto della Terra

francese

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Direzione del coro

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Off-Stage Artist

On-Stage Artist

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Baritono

Contralto

Basso

Soprano

Controtenore

Basso-baritono

Alto

Mimi

Narrazione

Voce bianca

AUTUMN FESTIVAL 2022 I The Song of the Earth, Philippe Quesne

Philippe Quesne signe une mise en scène élégante du Chant de la terre (Das Lied von der Erde) de Gustav Mahler, avec l’ensemble du Klangforum de Vienne, sur une commande du Wiener Festwochen. Une rare incursion dans le répertoire musical, marquée par la nostalgie du romantisme et d’un lien privilégié au temps et à la nature. 

Das Lied von der Erde est composé par Mahler en 1907 et porte les stigmates d’une période de la fin de sa vie, marquée par son départ de l’Opéra de Vienne, la mort de sa fille aînée et le diagnostic d’une maladie cardiaque. Interprété ici dans l’adaptation pour orchestre de chambre de Reinbert de Leeuw, Le Chant de la terre prend la forme d’un cycle de six chants pour deux solistes, dont les textes sont inspirés de poèmes chinois. Une évocation mélancolique de la nature que Philippe Quesne souligne au fil d’une mise en scène épurée, nourrie d’une nostalgie de l’époque romantique, où prévalait un autre rapport au temps et à la nature, que le XXe siècle devait bouleverser brutalement. De la mesure de cet écart jaillissent les échos contemporains de l’Anthropocène. Dans un décor éthéré, le scénographe et metteur en scène joue sur les éléments, la pluie et la terre, mais aussi sur la présence de deux peintures d’Albert Bierstadt, contemporain de Mahler, dont les paysages évoquent le cycle d’une vie.

français

Commissioned by Wiener Festwochen and in partnership with the Vienna Klangforum’s ensemble, Philippe Quesne elegantly stages Gustav Mahler’s Song of the Earth (Das Lied von der Erde). This is a rare foray into a musical repertoire nostalgic of romanticism and cultivating an intimate bond to time and nature. 

Mahler composed Das Lied von der Erde in 1907. The song reflects Mahler’s later life struggles, having left the Vienna Opera, lost his eldest daughter, and been diagnosed with heart disease. Interpreted by Reinbert de Leeuw’s chamber orchestra, Song of the Earth is presented as a cycle of six songs for two soloists. The texts were inspired by Chinese poetry. In his no-frills staging of Mahler’s work, Philippe Quesne presents a melancholic outlook on nature, fueled by nostalgia for romanticism, an era when people had a different relationship to time and nature, which came to a brutal end as the 20th century began. Echoing in this giant chasm are the woes of the modern-day Anthropocene. To put together his ethereal décor, Quesne, a scenographer and director, relies on elements such as rain and dirt, as well as two paintings by Albert Bierstadt, Mahler’s contemporary, whose landscapes mirror the cycle of life.

English

Il Canto della Terra by Mahler, Da (2022/2022), Diretto da Philippe Quesne,, Direttore d'orchestra Emilio Pomárico, Théâtre du Châtelet, Parigi, Francia

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