Admin

Organization

Singer

Soprano

Anja Harteros

The Marschallin

Bass

Peter Rose

Baron Ochs of Lerchenau

Mezzo-soprano

Magdalena Kožená

Octavian

Anna Prohaska

Sophie

Baritone

Clemens Unterreiner

Lord of Faninal

Carole Wilson

Annina

Tenor

Stefan Margita

Valzacchi

Lawrence Brownlee

An Italian singer

John In Eichen

A police inspector

Thomas Allen

The Marschallin's Major-Domo

Tamara Banjesevic

A milliner

Conductor

Simon Rattle

Stage director

Brigitte Fassbaender

Set designer

Erich Wonder

Costume designer

Dietrich von Grebmer

Osterfestspiele Baden-Baden

Lighting designer

Franz David

Kevin Conners

Faninal's Major-Domo

Thomas Michael Allen

Martin Snell

Ein Notar

Moritz Kallenberg

A vendor of pets

Elisabeth-Maria Wachutka

Marianne

Festspielhaus Baden-Baden

Orchestra

Berliner Philharmoniker

Elisabeth-Maria Wachutkautka

német

Der Rosenkavalier -  (The Knight of the Rose)

Baden-Baden

Germany

Der Rosenkavalier Strauss,R

Public

The Knight of the Rose

angol

Approved

Time is a “strange thing”, sings the field marshal in the “Rosenkavalier”. One either doesn’t notice it at all or notices nothing else. However, something so complicated has to be taken lightly.  In life we stumble into tragedy then fight our way back to comedy. This is the basis of one of the most beautiful musical comedies – second only to Mozart’s “Marriage of Figaro” - to which the “Rosenkavalier” regularly refers. Because Strauss was never a huge fan of the male voice, he wrote the role of Octavian for a mezzo soprano, creating the most sensuous female duet in music history. Incidentally, the latter had to be rewritten. The rule “the newer, the more dissonant” was somewhat ignored the Rosenkavalier, which favours waltzes in wallowing thirds. A Viennese waltz in a plot from the 18th century! Yet another anachronistic mood of the composer. The history is also a “strange thing” whilst this opera, on the other hand, is wonderful. It is full of life lessons!

English

The Knight of the Rose by Strauss, -tól (2015/2015), Rendezte Brigitte Fassbaender,, Karmester Simon Rattle, Festspielhaus Baden-Baden, Baden-Baden, Germany

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