Name: Der Waffenschmied
Start: 2021-10-21T00:00:00.000Z
End: 2021-10-21T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Bass

Günther Groissböck

Hans Stadinger

Soprano

Miriam Kutrowatz

Marie

Contralto

Juliette Mars

Irmentraut

Tenor

Andrew Morstein

Georg

Chorus master

Erwin Ortner

Jan Petryka

Brenner

Baritone

Timothy Connor

Ritter Graf von Liebenau

Ivan Zinoviev

Adelhos

Conductor

Leo Hussain

Moderation

Nikolaus Habjan

MusikTheater an der Wien

Others

Arnold Schoenberg Chor

Orchestra

ORF Vienna Radio Symphony Orchestra

Γερμανικά

Der Waffenschmied -  (The Armourer)

Vienna

Austria

Theater an der Wien

Public

The Armourer

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

For Albert Lortzing, the Theater an der Wien was a place of longing for hope in 1845, because he had been thrown out of Leipzig, where he had worked as Kapellmeister since 1833. His financial situation was desperate. The then director of the Theater an der Wien, Franz Pokorny, offered Lortzing to present a new opera to him as a test piece, so to speak, and to employ him permanently if it was successful. The "specimen" was The Armourer . Lortzing was a theatrical jack of all trades who was also very popular as an actor. In the template for The Armourer , the successful comedy lover and rival rolled into one(1790) by Friedrich Wilhelm Ziegler, Lortzing had often appeared as Count Liebenau. He transformed the piece himself into a libretto and transformed the comic intrigue into an ironic love comedy about class arrogance. A frequent problem in comedies is that higher-ranking characters should not marry lower-ranking characters because the latter are not worthy - here it is the other way round: Count Liebenau has fallen in love with Marie, the daughter of the armourer Stadinger. But instead of such a noble son-in-law being welcome, the count has to fear being turned away, because the proud citizen Stadinger despises the nobles as a generally depraved estate. Therefore, Liebenau disguises himself as a blacksmith and tries to win Marie's love. Infected by the bourgeois ideal of true love, he also wants to be loved for himself. At the same time, as Count von Liebenau, he approaches Marie to see what impresses her more, the simple journeyman or the wealthy castle owner. Absurd situations are preprogrammed. The whole thing takes place in a Worms dreamed up in Biedermeier style from the 16th century, where the bourgeois way of life triumphs over the noble, the 19th century as a model. At the premiere on May 30, 1846, it was popular where the bourgeois way of life triumphs over the noble, the 19th century as a model. At the premiere on May 30, 1846, it was popular where the bourgeois way of life triumphs over the noble, the 19th century as a model. At the premiere on May 30, 1846, it was popularThe armourer with his well-known and popular, catchy and song-like arias and turbulent ensembles. Lortzing received the dreamed-of position as Kapellmeister. Unfortunately, he was not lucky in Vienna for long, he was fired in 1848, and three years later he died impoverished in Berlin.

English

The Armourer by Lortzing, Aπό (2021/2021), αγωγός Leo Hussain, Theater an der Wien, Vienna, Austria

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