Name: Dido and Aeneas
Start: 2023-01-17T00:00:00.000Z
End: 2023-01-22T00:00:00.000Z
Location: Teatros del Canal

Organization

Lighting designer

Caty Olive

Singer

Soprano

Léa Desandre

Dido

Conductor

William Christie

Stage director

Blanca Li

Choreographer

Costume designer

Laurent Mercier

Ana Vieira Leite

Belinda

Tenor

Renato Dolcini

Aeneas

Mezzo-soprano

Maud Gnidzaz

First witch

Virginie Thomas

Second witch

Video designer

Charles Carcopino

Set designer

Pierre Attrait

Dramaturge

Evi Keller

Helen Charlston

Sorceress

Jacob Lawrence

First sailor

Gran Teatre del Liceu

Teatro Real de Madrid

Teatros del Canal

Opéra Royal de Versailles

Théâtres de Compiègne

Others

Les Arts Florissants

Ballet

Compañía Blanca Li

taliančina

angličtina

Dido and Aeneas

Madrid

Spain

Sala Roja

Dido and Aeneas Purcell

Private

Public

francúzština

španielčina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Bass-baritone

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Few are aware that the most important English opera before Benjamin Britten suffered a laborious desert crossing before attaining the status attributed to it today:  the original score survived partially thanks to its re-founding in a subsequent Masque (dramatic entertainment) entitled The Loves of Mars and Venus.  We do not know what sorts of adaptations or additions the piece underwent but it is estimated that the reduction involved at least a quarter of the original music. Nonetheless this was no impediment for it to become one of the 18th century’s most staged operas in our times and its greatest aria – Dido’s Lament - has become the most emblematic expression of dying of love along with the no less acclaimed “Liebestod” of Tristan und Isolde.

Its London premiere in 1689 at Josias Priest’s - an English dancer and instructor - Chelsea School for Young Ladies is a reason to approach the work from a choreographic perspective.  In this way, after the version of Sasha Waltz at the Teatro Real in 2019, this is a new production by Blanca Li, Artistic Director of Teatros del Canal, a brilliant choreographer and pioneer in using virtual reality in dance, long experienced in a remarkable variety of dance styles from Baroque to hip-hop.

English

Pocos saben que la ópera inglesa más importante anterior a Benjamin Britten sufrió una penosa travesía en el desierto antes de alcanzar el estatus que hoy le tributamos: su partitura original sobrevivió parcialmente gracias a su refundición en una masque posterior titulada Los amores de Marte y Venus, operación de la cual desconocemos qué tipo de adaptaciones y añadidos pudo sufrir, pero que supuso una pérdida estimable en al menos una cuarta parte de su música original. Ello no le ha impedido alzarse como una de las óperas del siglo XVII más representadas de la última centuria a la vez que su aria más conocida –El lamento de Dido– se convertía en la muerte de amor más emblemática de la lírica junto con el no menos célebre «Liebestod» de Tristán e Isolda.

Su estreno londinense en 1689 en la es-cuela femenina de danza de Josias Priest ha invitado a abordar la obra desde una perspectiva coreográfica. Así, tras la visita al Real en el año 2019 de la versión de Sasha Waltz, la nueva producción correrá esta vez a cargo de Blanca Li, directora artística de Teatros del Canal y brillante coreógrafa pionera de la aplicación de la realidad virtual a la danza y curtida en una desbordante variedad de  estilos de baile: desde el Barroco hasta el hip-hop.

español

Dido and Aeneas by Purcell, Od (2023/2023), Režírované Blanca Li,, Dirigent William Christie, Teatros del Canal, Madrid, Spain

Uznanie za predstavenie (Obsadenie & Tím )

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Program, informácie a súhrn

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