Name: Dido and Aeneas
Start: 2024-02-04T00:00:00.000Z
End: 2024-02-04T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Soprano

Anna Wall

Dido

Tenor

Yoann Dubruque

Aeneas

Apolline Raï-Westphal

Belinda

Théâtre des Champs-Elysées

Conductor

Johannes Pramsohler

Orchestra

Ensemble Diderot

Others

ingelesa

Dido and Aeneas

Paris

France

Public

Saileshwaran Thirumurthy

frantsesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass

Mezzo-soprano

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Souvent salué pour ses prestations instrumentales, l’Ensemble Diderot, qui souffle cette année ses quinze bougies, n’en est pas à son premier opéra. Fin 2020, la bande à Johannes Pramsohler faisait entre autres renaître le Crésus de Reinhard Keiser sur la scène de l’Athénée. Point de rareté cette fois-ci, mais un tube plutôt chambriste librement inspiré à Henry Purcell et Nahum Tate par le Chant IV de L’Enéide de Virgile. Si Didon et Enée reste entouré de mystère, il ira comme un gant aux voix du matin. Dans sa langue maternelle, Anna Wall reprend en effet un rôle peaufiné durant les deux années passées au sein de l’Atelier lyrique de l’Opéra de Paris, tandis que Yoann Dubruque réincarne un héros déjà campé à Massy en compagnie de la Belinda d’Apolline Raï-Westphal. 

Coréalisation Jeanine Roze Production | Théâtre des Champs-Elysées

français

Ensemble Diderot, which is often acclaimed for its instrumental performances and which is celebrating its fifteenth anniversary this year, is no newcomer to opera. In late 2020, Croesus by Reinhard Keiser on the stage of the Athénée was just one of the works revived by Johannes Pramsohler and the group. Not such a rarity this time, but rather a chamber music hit freely inspired by Henry Purcell and Nahum Tate from Canto IV of Virgil’s Aeneid. Although Dido and Aeneas is shrouded in mystery it will fit this morning’s vocalist like a glove. In her mother tongue, Anna Wall reprises a role which she honed in the two years she spent at the Atelier lyrique of the Opéra de Paris, whereas Yoann Dubruque reprises his well-established hero from the Opéra Massy in the company of Apolline Raï-Westphal’s Belinda.

English

Dido and Aeneas by Purcell, Noiztik (2024/2024), Zuzendaria Johannes Pramsohler, Théâtre des Champs-Elysées, Paris, France

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