Name: Die Fledermaus
Start: 2022-10-02T00:00:00.000Z
End: 2022-10-02T00:00:00.000Z
Location: Theater Ulm

Organization

Stage director

Benjamin Künzel

Set designer

Heiko Mönnich

Conductor

Panagiotis Papadopoulos

Lighting designer

Marcus Denk

Choreographer

Gaëtan Chailly

Chorus master

Hendrik Haas

Nikolaus Henseler

Dramaturge

Christian Stolz

Singer

Tenor

Markus Francke

Gabriel of Eisenstein

Soprano

Maria Rosendorfsky

Rosalinde

Baritone

Martin Gäbler

Frank

Mezzo-soprano

I-Chiao Shih

Prince Orlofsky

Joshua Spink

Alfred

David Pichlmaier

Doctor Falke

Hans-Günther Dotzauer

Doctor Blind

Maryna Zubko

Adele

Evelyn Manja

Spoken

Andreas Bittl

Frosch

Angela Weißhardt

Ivan

Ulm Theater

Orchestra

Philharmonische Orchester der Stadt Ulm

Others

Opernchor des Theaters Ulm

Die Fledermaus -  (The Bat)

Germany

Theater Ulm

Großes Haus

Public

The Bat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Chorus Director

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Hardly any other operetta holds up a mirror to society in a more indiscreet and at the same time humorous way. Laws and marriages are broken with a light hand, compulsive amusement and the power of money fizzle out in the nothingness of boozy double standards. Here they roll until their soles glow, overtake their own values ​​in rapid polka steps and indulge in the blissful intoxication of melancholy. If an operetta can dance on the edge of the volcano, then the uncrowned Viennese queen of this genre: the »Fledermaus« by Johann Strauss and his lyricists Carl Haffner and Richard Genée.

The satirist Wolfgang Körner summed up the plot in his »one and only« operetta guide: »Everyone makes out with everyone else and everyone ends up in jail – but not because of that!« And that pretty much says it all. What escalates on a lavish night at the ball with the chronically bored Prince Alexander Orlofsky has to be painfully unraveled in the rather private atmosphere of the local prison, and in the end one is richer (also in the audience) with a lot of rousing music, situation comedy and some wisdom: where champagne in Streams flow, no throat and no eye remain dry.

English

The Bat by Strauss II, Nuo (2022/2022), Režisierius Benjamin Künzel,, Dirigentas Panagiotis Papadopoulos, Theater Ulm, Ulm, Germany

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