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Opera Krakowska

Orchestra

Orkiestra Opery Krakowskiej

Others

Chór Opery Krakowskiej

Ballet

Balet Opery Krakowskiej

Stage director

Janusz Józefowicz

Choreographer

Conductor

Uwe Theimer

Set designer

Andrzej Woron

Costume designer

Maria Balcerek

Singer

Tenor

Tomasz Rak

Gabriel of Eisenstein

Krzysztof Kozarek

Soprano

Edyta Piasecka

Rosalinde

Baritone

Wołodymyr Pańkiw

Frank

Sebastian Marszałowicz

Mezzo-soprano

Agnieszka Cząstka-Niezgódka

Prince Orlofsky

Adam Zdunikowski

Alfred

Adam Sobierajski

Adam Szerszeń

Doctor Falke

Michał Kutnik

Janusz Dębowski

Doctor Blind

Zuzann Caban

Adele

Karolina Wieczorek

Kamila Mędrek-Żurek

Spoken

Stanisław Knapik

Frosch

Kajetan Wolniewicz

Łukasz Zakrzewski

Ivan

poloniera

Die Fledermaus -  (The Bat)

Krakow

Poland

Main stage

Public

The Bat

Sharan Allad

Approved

Die Fledermaus Strauss II

Dowcipna, salonowa intryga w XIX-wiecznym kurorcie pod Wiedniem. Stary Wiedeń to prawdziwy bohater tej jednej z najlepszych i najbardziej popularnych operetek świata. Skomponowanie dzieła zajęło Johannowi Straussowi, słynnemu „królowi walca” zaledwie kilka tygodni a prapremiera okazała się olbrzymim sukcesem. Brawurowa komedia pomyłek z intrygującym librettem w doskonałym tłumaczeniu Juliana Tuwima do dziś ma swoich wielbicieli.

polski

A witty operetta with an upper-crust intrigue-driven plot, set in a 19th c. resort by Vienna. Old Vienna is a true lead of this operetta, one of the best and most popular in the world. Composing the work took Johann Strauss, the famous “king of the waltz,” a mere few weeks, and the world premiere turned out to be a huge success. A brilliant comedy of errors with an intriguing libretto in a perfect translation by Julian Tuwim continues to win admirers to this day.

The translation of “Die Fledermaus” by the poet Julian Tuwim inspired the show’s director and choreographer, Janusz Józefowicz, to create a light-hearted, humorous yet spectacular performance. His rendition of the operetta is redolent with the atmosphere of the epoch: it is rich, meticulous and realistic. The costumes, made of silk, lace and velvet and decorated with ostrich plumes, take the audience a hundred years back. The orchestra plays lightly, in keeping with the atmosphere of the show. This Johann Strauss doesn’t sound his age.

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