Name: Die Zauberflöte
Start: 2019-04-30T00:00:00.000Z
End: 2019-05-18T00:00:00.000Z
Location: Opéra

Organization

Singer

Soprano

Aleksandra Olczyk

The Queen of the Night

Tenor

Tuomas Katajala

Tamino

Ilse Eerens

Pamina

Tatiana Probst

Papagena

Baritone

Klemens Sander

Papageno

Mark Omvlee

Monostastos

Sheva Tehoval

First lady

Ambroisine Bré

Second lady

Contralto

Caroline Meng

Third lady

Child vocalist

Tobias van Haeperen

First spirit

Conductor

Eivind Gullberg Jensen

Stage director

Romeo Castellucci

Set designer

Lighting designer

Choreographer

Cindy Van Acker

Chorus master

Yves Parmentier

Dramaturge

Piersandra Di Matteo

Antonio Cuenca Ruiz

Bass

Tijl Faveyts

Sarastro

Speaker

Thorsten Grümbel

Yoann Dubruque

First priest

Second armored man

Pierre Derhet

Second priest

First armored man

Michael Hansmeyer

Assistant Director

Laura Ketels

Assistant Set designer

Alessio Valmori

Assistant light designer

Marco Giusti

Benjamin Laurent

Sofia Royo Csóka

Trois garçons

Elfie Salauddin Crémer

Axel Basyurt

Alejandro Enriquez

Aya Tanaka

Xavier Perez

Danseurs

Opéra de Lille

Others

Choeur de l'Opéra de Lille

Orchestra

Orchestre National de Lille

þýska

Die Zauberflöte -  (The Magic Flute)

Lille

France

Opéra

Public

The Magic Flute

franska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Countertenor

Alto

Continuo

Silent

Spoken

THE MAGIC FLUTE
a new look by Romeo Castellucci

Admittedly, The Magic Flute was already taking place in an unknown country, but now it is about to approach even more mysterious lands... Because here it is delivered to the radical imagination of Romeo Castellucci, formidable creator of images, paintings prodigious, eventful, unforgettable. Visions nourished each time by deep reflection, by audacity and a clever mix of opulence and craftsmanship.

Confronted for the first time with Mozart , the Italian director finds here the material of an unpublished story: “ We must assume the philosophical weight of this piece. It's not just something light, fun, a fairy tale. It's a very charged opera at the ideological level, a battle between the feminine principle and the patriarchy, between the horizontal line and the vertical line. To better " break the toy of narration ", Castelluccidecided to remove the spoken dialogues here, and to marry a resolutely feminist party: that of the Queen of the Night, figure of eternal and tragic mother, delivered to the machinations of Sarastro. In the service of this confrontation, he imagined an explosion of feather curtains, tunnels, shields, open baroque palaces with all their entrails out. A dark phantasmagoria that gives way to the stripping of a deserted stage, to better touch on the essential: “ There is in Mozart a very high degree of spiritual life which allows him to approach the nakedness of life ”.

The very personal vision of The Magic Flute proposed by Romeo Castellucci is not recommended for a very young audience.

English

LA FLÛTE ENCHANTEE
un nouveau regard de Romeo Castellucci

Certes, La Flûte enchantée se déroulait déjà dans un pays inconnu, mais voici qu’elle s’apprête à aborder des terres plus mystérieuses encore… Car la voici livrée à l’imaginaire radical de Romeo Castellucci, formidable créateur d’images, de tableaux prodigieux, mouvementés, inoubliables. Des visions nourries à chaque fois par une réflexion profonde, par l’audace et un savant mélange d’opulence et d’artisanat.

Confronté pour la première fois à Mozart, le metteur en scène italien trouve ici le matériau d’une histoire inédite : « Il faut assumer le poids philosophique de cette pièce. Ce n’est pas seulement quelque chose de léger, d’amusant, un conte de fées. C’est un opéra très chargé au niveau idéologique, une bataille entre le principe féminin et le patriarcat, entre la ligne horizontale et la ligne verticale. » Pour mieux « casser le jouet de la narration », Castellucci a décidé de supprimer ici les dialogues parlés, et d’épouser un parti résolument féministe : celui de la Reine de la Nuit, figure de mère éternelle et tragique, livrée aux machinations de Sarastro. Au service de cet affrontement, il a imaginé une explosion de rideaux de plumes, des tunnels, des boucliers, des palais baroques ouverts toutes entrailles dehors. Une sombre fantasmagorie qui laisse place au dépouillement d’un plateau désert, pour mieux toucher à l’essentiel : « Il y a chez Mozart un très haut degré de vie spirituelle qui lui permet d’approcher le nu de la vie ».

La vision très personnelle de La Flûte enchantée proposée par Romeo Castellucci n’est pas recommandée pour un très jeune public.

français

The Magic Flute by Mozart, Frá (2019/2019), Leikstýrt af Romeo Castellucci,, Hljómsveitarstjóri Eivind Gullberg Jensen, Opéra, Lille, France

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