Name: Die Zauberflöte
Start: 2019-07-18T00:00:00.000Z
End: 2019-08-24T00:00:00.000Z
Location: Opera House

Organization

Glyndebourne Festival

Tenor

Thomas Atkins

Drugi kapłan

Martin Snell

Pierwszy kapłan

Sopran

Kamilla Dunstan

Druga Dama

Scenografia

André Barbe

Głos dziecięcy

Daniel Todd

Pierwszy chłopiec

Dyrygent

Ryan Wigglesworth

Reżyseria

Barbe & Doucet

Reżyseria światła

Guy Simard

Przygotowanie chóru

Aidan Oliver

Assistant Director

Kathleen Stakenas

Donna Stirrup

David Portillo

Tamino

Esther Dierkes

Pierwsza Dama

Marta Fontanals-Simmons

Kontralt

Katharina Magiera

Trzecia Dama

Baryton

Björn Bürger

Papageno

Caroline Wettergreen

Królowa Nocy

Jörg Schneider

Monostatos

Sofia Fomina

Pamina

Michael Kraus

Mówca

Brindley Sherratt

Sarastro

Pierwszy zbrojny

Drugi zbrojny

Alison Rose

Papagena

Felix Barry- Casademunt

Drugi chłopiec

Simeon Wren

Trzeci chłopiec

Orchestra

Orchestra of the Age of Enlightenment

niemiecki

Die Zauberflöte -  (Czarodziejski flet)

Glyndebourne

Wielka Brytania

Die Zauberflöte (Mozart), 2019
Barbe & Doucet's inventive take on Mozart's most magical comedy.

Unfortunately this opera isn't accessible to our viewers in Japan.

Opera House

Ebert Room

Think you’ve already seen The Magic Flute? You haven't really seen it until you've seen the version of the explosive duo Barbe & Doucet, who invite us to what they call a “huge musical comedy”. At the Glyndebourne Festival under the direction of Ryan Wigglesworth, experience one of Mozart's most popular works in an ambitious production with “eleven sets and two years of preparation”. 

Completed just months before its composer's untimely death at age 35, the Singspiel draws heavily on the codes of Freemasonry, of which Mozart was a member. As part of the search for his love Pamina, Prince Tamino undergoes different tests that lead him toward truth and away from the darkness of ignorance. In the words of Hegel, “The Kingdom of the Night, the Queen, the Kingdom of the Sun, the Mysteries, the Initiations, Wisdom, Love, the Tests, along with a kind of moral middle ground, which in its generality is excellent, all of that, combined with the depth, enchanting grace, and soul of this music, stretch and satisfy the imagination, and warm the heart”.

Broszura spektaklu

Dalsza lektura