Name: Die Zauberflöte
Start: 2013-07-17T00:00:00.000Z
End: 2013-08-18T00:00:00.000Z
Location: Seebühne

Organization

Bregenzer Festspiele

Бас

Albert Pesendorfer

Зарастро

Alfred Reiter

Тенор

Norman Reinhardt

Тамино

Maximilian Schmitt

Rainer Trost

Eike Wilm Schulte

Оратор

Wilfried Staber

Soprano

Laura Claycomb

Царица ночи

Ana Durlovski

Kathryn Lewek

Anja-Nina Bahrmann

Памина

Bernarda Bobro

Gisela Stille

Magdalena Anna Hofmann

Первая дама

Arpiné Rahdjian

Verena Gunz

Вторая дама

Sabrina Kögel

Контральто

Bernadett Fodor

Третья дама

Katrin Wundsam

Детский голос

Laila Salome Fischer

Первый гений

Hanna Herfurtner

Eva Dworschak

Второй гений

Veronika Vetter

Dymfna Meijts

Третий гений

Viola Zimmermann

Баритон

Paul Armin Edelmann

Папагено

Klaus Kuttler

Daniel Schmutzhard

Denise Beck

Папагена

Susanne Grosssteiner

Alexander Kaimbacher

Моностатос

Martin Koch

Дирижер

Patrick Summers

Hartmut Keil

Режиссер-постановщик

David Pountney

Художник-постановщик

Johan Engels

Художник по костюмам

Marie-Jeanne Lecca

Художник по свету

Fabrice Kebour

Звукорежиссер

Wolfgang Fritz

Хореограф

Ran Arthur Braun

Хормейстер

Lukáš Vasilek

Первый воин

Второй воин

Others

Philharmonischer Chor Prag

Orchestra

Vienna Symphony Orchestra

немецкий

Die Zauberflöte -  (Волшебная флейта)

Брегенц

Австрия

Seebühne

The Bregenz Festival has developed into an internationally renowned musical event. A popular musical theater work is performed on the lake stage with around 7,000 seats, while an opera rarity is regularly on the program in the Festspielhaus. The festival became known far beyond the borders of classical music as the setting for the James Bond film "Quantum of Solace".
This summer and next, the Bregenz Festival is showing Wolfgang Amadeus Mozart's "Magic Flute", one of the world's most popular operas, which premiered in 1791 as a play on the lake. Festival director David Pountney is directing, the stage design is by Johan Engels, and the costumes and puppets were designed by Marie-Jeanne Lecca. The trio last caused a great international sensation on Lake Constance in 2010 with the opera in the Festspielhaus "The Passenger" by Mieczyslaw Weinberg (in our program on July 23).

David Pountney writes about the production:
"The Magic Flute" conveys an enlightened, humanistic ideal of being human: in the end, a normal man and a normal woman are responsible for the future of society, while the power apparatus of queens and priests proves to be superfluous. There is a passage where Sarastro's priests wonder if Tamino will be able to pass all the exams, since he is a prince. Sarastro replies, "More than that - he's human!" At the end of the opera, Tamino and Pamina are no longer seen as prince and princess, but actually only as a man and a woman: for me that is the conclusion of this piece. "The Magic Flute" is imbued with the ideas of the Enlightenment, a movement

But if the "Magic Flute" were only about such things, this opera would probably have been forgotten long ago. Mozart, however, manages a balancing act that we otherwise only know from Shakespeare: "The Magic Flute" is also a wonderfully told fairy tale! She is charming and entertaining, enchanting and funny, romantic and witty - and yet carries a great philosophical message.



"Fantasy spectacle of superlatives" (Kurier)

"New answers to the eternal questions of the Magic Flute" (Tagesspiegel)

"A magic flute as colorful as it is clever" (Die Welt)

"A spectacle of the high school" (NZZ)

Die Zauberflöte Mozart

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