Organization

Direction d'orchestre

Nathalie Stutzmann

Décors

Jan Versweyveld

Lumières

Costumes

An D'Huys

Video

Christopher Ash

Chorégraphie

Sara Erde

Mise en scène

Ivo van Hove

Chanteur

Soprano

Ana María Martínez

Donna Elvira

Federica Lombardi

Donna Anna

Ying Fang

Zerlina

Ténor

Ben Bliss

Don Ottavio

Baryton

Peter Mattei

Don Giovanni

Basse

Adam Plachetka

Leporello

Alfred Walker

Masetto

Alexander Tsymbalyuk

Le Commandeur

Müpa Budapest

Orchestra

Metropolitan Opera Orchestra

Others

Metropolitan Opera Choir

Don Giovanni - The Met's new production

Don Giovanni Mozart

Public

Valide

The Seville dazzler, a character that first emerged in the first half of the 17th century and later inspired works by Molière, Goldoni and even Pushkin, would hardly still now enjoy cult status if Mozart and his congenial librettist Lorenzo Da Ponte had not written an opera about him to be performed in Prague in 1787. But because they did, we to this day still recognise in Don Giovanni, that is, in Don Juan, not only the mythical womaniser, but also the demon of life, the embodiment of life as a whole. Mozart's Don Giovanni is an ambiguous figure that offers ample space for a wide variety of interpretations. Ivo van Hove's concept is itself an original approach, while the composition of the cast promises polished teamwork and some great personalities. For example, in the shadow of Mattei's Don Giovanni, we'll find the increasingly sought-after Czech bass-baritone Adam Plachetka as Leporello. And among the younger performers will be talents like the American Ben Bliss, who promises to be an excellent Mozart tenor, and Italy's Federica Lombardi, who made her debut at the Met in 2019 as Donna Elvira, but now will exploit the splendid opportunity of singing Donna Anna.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble