Name: Don Pasquale
Start: 2022-05-10T00:00:00.000Z
End: 2022-05-15T00:00:00.000Z
Location: Auditorium

Organization

Lighting designer

Tobias Löffler

Soprano

Melody Louledjian

Norina

Bass

Jonas Yajure

A notary

Tenor

Nico Darmanin

Ernesto

Laurent Naouri

Don Pasquale

Baritone

André Morsch

Doctor Malatesta

Stage director

Amélie Niermeyer

Conductor

Débora Waldman

Costume designer

Maria-Alice Bahra

Set designer

Opéra de Dijon

Orchestra

Orchestre Dijon Bourgogne

Dijon

France

Auditorium

Don Pasquale Donizetti

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Bass-baritone

Mezzo-soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Ultime teaser d'opéra pour la saison 21 | 22 et donc, ultime opéra avant l'édition 22 | 23 ! L'Opéra de Dijon a choisi de clore sa programmation d'œuvres opé...

Why get married? By love ? Very well. By interest ? Already less. To punish a nephew by marrying the first comer, in order to deprive him of his hopes of inheritance? This is where it gets a little disgusting. Don Pasquale therefore deserves to be punished. And to make us laugh at his expense...

Once upon a time there was a form of society, called patriarchal, where the old dominated the young and where the women were entirely submissive to the men… Let's not go any further, it's not a fairy tale, this society does indeed exist. The proof: we recognize its reflections very well. One of the great pleasures of classical comedy in general, and of commedia dell'arte in particular, consists in seeing this "order" overthrown, and its victims avenged: whatever happens, young people who love each other must have the last word, and the age that founds the power of the elders is precisely what must cause their downfall. Don Pasqualeis one of the last representatives of a centuries-old tradition, and almost the swan song of opera buffa. The uncle, as rich as he is potbellied, is Pantalon; Ernesto, reluctant nephew in love with the young premiere, is Pierrot. And who is his beloved Columbine? Here is the surprise: the comic spring that animates Norina would rather make one think, if one dares to say, of a ... taming Shrew. The plot is an assumed fantasy. With the complicity of the cunning Malatesta, to save her love, the "shy" Norina will pretend to marry Don Pasquale and transform herself once married into an indomitable domestic fury, tyrannical, spendthrift, greedy for diamonds - and lovers. The old rich man will have to admit defeat and agree to whatever we want... A master of lyrical humour, Donizetti has put all his verve, his rhythmic inventiveness, his acute sense of farce into a frenzied score whose success does not has not denied itself since its creation.

English

Don Pasquale by Donizetti, Ó (2022/2022), Faoi stiúir Amélie Niermeyer,, Seoltóir Débora Waldman, Auditorium, Dijon, France

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Físeáin

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid