Name: Don Sanche
Start: 2011-11-18T00:00:00.000Z
End: 2012-02-10T00:00:00.000Z
Location: National Theatre

Organization

Stage director

Ferenc Anger

Singer

Boldizsár László

Don Sanche

Boglárka Laczák

Princess Elzire

Tamás Altorjay

Alidor

Renáta Horák

Zélis

Bálint Börcsök

A knight

Set designer

Éva Szendrényi

Conductor

Gábor Kardos

Sándor Gyüdi

Szeged National Theatre

Orchestra

Szeged Symphony Orchestra

Others

Choir of the Szeged National Theater

Szeged

Hungary

National Theatre

Don Sanche Franz Liszt

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Contralto

Soprano

Bass-baritone

Mezzo-soprano

Countertenor

Baritone

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

On October 17, 1825, in Don Sanche c. At the premiere of the opera in Paris, the audience waited with unceasing applause for the composer to take the stage. Finally, a tall, respectable gentleman picked up the composer and carried him in his arms to the celebrating crowd. The tall, dignified Mr. Alfred Nourrit, a celebrated tenor of his time, was also the title character of the opera. And the composer was the 14-year-old Ferenc Liszt, small for his age, who gloomily accepted the success of his first (and also his last) opera, as he was actually bitterly offended that, despite all his limping, Nourrit carried him in front of his audience like a child. The opera had a total of four performances and was not performed for 150 years. Why? First of all: the score is gone. In the autumn of 1873, the Salle le Peletier, the building of the Paris Opera at the time, where the presentation of Don Sanche was also held, burned down. and where the manuscript of the work was kept. Liszt died believing that his only opera had fallen victim to the fire. "Because it was nothing, it became nothing." he told his biographer in 1880.

However, the Salle le Peletier had a conscientious sheet music librarian and a helpful assistant who rescued all scores, documents, books and posters from the fire. Thirty years later, a French musicologist with a passion for hunting scores he thought were lost in music libraries found the score of Don Sanche. So the score was
bypassed, but the new presentation was still waiting...

English

1825. október 17-én, a Don Sanche c. opera párizsi ősbemutatóján a közönség szűnni nem akaró tapssal várta, hogy a zeneszerző színpadra lépjen. Végül egy magas, tekintélyes úr felkapta a komponistát és karjában vitte az ünneplő tömeg elé. A magas, tekintélyes úr Alfred Nourrit, korának ünnepelt tenoristája, egyben az opera címszereplője volt. A komponista pedig az akkor 14 éves, korához képest is aprócska Liszt Ferenc, aki komoran fogadta első (és egyben utolsó) operájának sikerét, mivel valójában vérig volt sértve, hogy minden kapálózása ellenére Nourrit kézben cipelte őt a közönsége elé, mint valami gyereket. Az opera összesen négy előadást ért meg és nem került bemutatásra 150 évig. Hogy miért? Először is: eltűnt a partitúra. 1873 őszén leégett a Salle le Peletier, az akkori párizsi Opera épülete, ahol a Don Sanche bemutatóját is tartották, és ahol a mű kéziratát őrizték. Liszt abban a hitben halt meg, hogyegyetlen operája a tűz áldozata lett. „Mivel hogy semmi volt, semmivé lett.” – mondta életrajzírójának 1880-ban.

A Salle le Peletier-nek azonban volt egy lelkiismeretes kottatárosa és egy segítőkész súgója, akik a tűzből kimentettek minden partitúrát, iratot, könyvet és plakátot. Harminc évvel később egy francia zenetudós, akinek passziója volt zenei könyvtárakban elveszettnek hitt kottákra vadászni, rálelt a Don Sanche partitúrájára. A kotta
tehát megkerült, az új bemutató azonban még váratott magára…

magyar

Don Sanche by Liszt, De la (2011/2012), Regizat de către Ferenc Anger,, Dirijor Gábor Kardos, Sándor Gyüdi, National Theatre, Szeged, Hungary

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