Artist

Tenor

Marco Angioloni

Singer

Michel Coppé

Violin

Adrien Alix

Viola

Léo Brunet

Theorbo

Orchestra

Il Groviglio

Les Concerts d'Hiver

Dramma in musica : aux origines de l’opéra

Producer

Paris

France

Dramma in musica : aux origines de l’opéra: Concert Various

Public

Private

Concert

Pending

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Mezzo-soprano

Contralto

Baritone

Soprano

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

L’invention du recitar cantando à Florence à la fin du XVIIe siècle a bouleversé l’approche et l’expression musicale des sentiments. L'interprète, désormais soliste, devient le porte-parole des affetti véhiculés par une parole poétique que la musique ne fait que prolonger. L’opéra naît ainsi du madrigal polyphonique devenant monodique, les instruments de la basse continue se substituant aux autres voix pour mieux renforcer le pouvoir pathétique de la parole. Monteverdi est sûrement l’un des protagonistes de cette évolution qui trouve sa sublimation dans son Orfeo, tout premier opéra de l'histoire.
 
Le pétillant ensemble Il Grovoglio nous donne à écouter cette naissance avec des musiques de
Monteverdi, Kapsberger, Cavalli, Da Gagliano, Belli, Caccini…

français

The invention of the recitar cantando in Florence at the end of the 17th century upset the approach and the musical expression of feelings. The performer, now a soloist, becomes the spokesperson for the affetti conveyed by a poetic word that the music only prolongs. The opera is thus born from the polyphonic madrigal becoming monodic, the instruments of the basso continuo replacing the other voices to better reinforce the moving power of the spoken word. Monteverdi is surely one of the protagonists of this evolution which finds its sublimation in his Orfeo, the very first opera in history.
 
The sparkling ensemble Il Grovoglio gives us to listen to this birth with music by
Monteverdi, Kapsberger, Cavalli, Da Gagliano, Belli, Caccini...

English

Dramma in musica : aux origines de l’opéra by Various, Aπό (2023/2023)

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