Name: Ensemble Correspondances
Start: 2022-04-29T00:00:00.000Z
End: 2022-04-29T00:00:00.000Z
Location: St. Paul Church

Organization

Boston Early Music Festival

Conductor

Sébastien Daucé

Orchestra

Ensemble Correspondances

Others

alemana

Cambridge

United States

St. Paul Church

Ensemble Correspondances: Membra Jesu Nostri Buxtehude (+1 More)

Public

Members of Our Jesus

The Seven Words of Jesus Christ on the Cross

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Countertenor

Bass-baritone

Tenor

Baritone

Contralto

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Sébastien Daucé and his musicians take a step aside to explore Lutheran Europe before Bach. We are struck by the expressive vigor of these finely chiseled pages which have retained their power of fascination for today's listeners. Merging old and new, the austerely beautiful language of Buxtehude, Schütz or the rarer Dijkman produces an unexpected echo to the music of their contemporary Charpentier. Sébastien Daucé and his musicians explore Lutheran Europe before JS Bach. One is struck by the expressive vigor of these finely detailed works, which have retained all their power to fascinate today's listeners. Merging old and new, the austerely beautiful language of Buxtehude, Schütz and the much more rarely heard Dijkman unexpectedly echoes the music of their contemporary Charpentier. Leaving England and France behind, Sébastien Daucé and his musicians make a detour into Lutheran Europe before JS Bach. One is impressed by the expressive power of these finely crafted works, which are still able to fascinate listeners today. The tonal language of Buxtehude, Schütz and the rarely heard Dijkman mixes the old with the new, is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier. is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier. is of austere beauty and shows quite unexpected echoes of the music of the contemporary M.-A. Charpentier.

Buxtehude: Membra Jesus nostri | Ensemble Correspondences, Sébastien Daucé

Sébastien Daucé and Ensemble Correspondances are renowned for recordings and performances of Baroque masterpieces that merge passion and elegance. They return to BEMF for the final concert of our 2021–2022 Season with a program showcasing two unique approaches to the Passion story from 17th-century Germany. Buxtehude’s seven-part cycle of Passion cantatas, Membra Jesu nostri, is written to texts from a medieval poem offering a mystical meditation of Christ on the cross. Da Jesus an dem Kreuze stund by Schütz focuses on the seven words of Christ on the cross with intense expressivity and diverse stylistic inspirations.

English

Ensemble Correspondances by Buxtehude, Schütz, H., Noiztik (2022/2022), Zuzendaria Sébastien Daucé, St. Paul Church, Cambridge, United States

Emanaldia kredituak (Antzezleku eta Ekipa )

Taldea

Programa, buruz eta sinopsia

Iritziak

Bideoak

Argazkiak

Irakurketa gehiago

Emanaldiaren datak eta lekuak

Lekuak