Name: Eötvös 80
Start: 2023-12-14T00:00:00.000Z
End: 2023-12-14T00:00:00.000Z
Location: Béla Bartók National Concert Hall

Organization

Admin

Müpa Budapest

Conductor

Fabian Panisello

Orchestra

Concerto Budapest

Singer

Isao Nakamura

Percussion

Others

Neue Vocalsolisten Stuttgart

Eötvös 80

Budapest

Hungary

Béla Bartók National Concert Hall

Eötvös 80: Triangel Eötvös (+2 More)

Public

Triangel

Introduction and Allegro, M.46

Symphony

Pallavi Pawar

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Soprano

Countertenor

Bass

Bass-baritone

Contralto

Baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

"Percussion soloists exist in their own little universes: ones with unique instruments and special techniques for playing them,” says composer Péter Eötvös. "Triangel is composed in such a way as to provide space for these individual creative forces. The ensemble, divided into four groups, reacts to the music coming from the soloist partly with fixed notes and partly spontaneously. This piece explores the improvised cadenza techniques that were an integral part of playing concertos about a hundred years ago.”

Serving as the soloist alongside Concerto Budapest at this concert at Müpa Budapest will be Isao Nakamura, the same percussionist who took on Triangel at its world premiere in 1993. In 1905, Ravel received a commercial commission to compose a work that would showcase the features of the Érard company's newly developed model of harps: this is how Introduction et allegro, sometimes referred to as a mini harp concerto, was born. Listening to the richly coloured piece played by a string quartet, flute, clarinet and harp, one might not even think that writing it literally caused sleepless nights for the composer, who loved to complain about such tribulations. Luciano Berio‘s Sinfonia (composed in 1969 to mark the 125th anniversary of the foundation of the New York Philharmonic) is not without its own pessimistic overtones either: composed for orchestra and eight vocal parts, the piece uses musical quotations to outline an abstract and grotesque cultural history. The sources of the texts (incorporating speech, whispers and shouts) are highly diverse: Claude Lévi-Strauss, Samuel Beckett (excerpts from one of his novels) and Gustav Mahler (performance instructions for a musical score).

English

Eötvös 80 by Eötvös, Ravel, Berio, Minn (2023/2023), Surmast Direttur Fabian Panisello, Béla Bartók National Concert Hall, Budapest, Hungary

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

Kast

Ensemble

Programm, Dwar & Sinossi

Ritratti

Aktar qari

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