Name: Evgeny Kissin
Start: 2024-02-17T00:00:00.000Z
End: 2024-02-17T00:00:00.000Z
Location: Barbican Centre

Organization

Admin

Barbican Centre

Piano

Evgeny Kissin

Londres

Royaume-Uni

Barbican Concert Hall

Evgeny Kissin: Sonata for Piano in E minor. op. 90 Beethoven (+3 More)

Public

Concert

Sonate pour piano nº 27 de Beethoven

Ballades pour piano

Piano Sonata No. 2 in D minor, op. 14

Nocturnes, opus 48

Fantaisie, op. 49

Ayyappa swamy y

Valide

Basse

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositeur

Direction d'orchestre

Mise en scène

Livret

Décors

Costumes

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Video

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

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Chorus Director

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Illustrator

Extra

Baryton

Singer

Contralto

Baryton-basse

Mezzo-soprano

Soprano

Contre-ténor

Ténor

Parlé

Voix d'enfant

Rôle muet

Alto

Continuo

Evgeny Kissin, one of the finest pianists of the age, gives a recital of formidable complexity: two great sonatas by Beethoven and Prokofiev frame two sets of fine pieces by Brahms and Rachmaninov.

Kissin’s programme opens with German Romanticism: Beethoven’s Sonata No 27 contrasts a passionate opening movement with a soulful second, and Brahms’s poetic early Ballades evoke a bygone era. Composed just 20 years apart, Rachmaninov’s Moments Musicaux are virtuoso, richly-textured pieces, and Prokofiev’s Second Sonata, while exhibiting moments of lyricism, looks to the future.

Evgeny Kissin has been thrilling audiences for much of his life, his gifts encapsulated by The Times: ‘all the hallmarks of his genius – and one does not use the word lightly – were on display: the rich, sonorous tone, the dazzling finger work and, above all, the inspired fantasy. So compelling is Kissin’s pianism, so fresh his response to even the most familiar phrases, that one hangs on every note.’

English

Evgeny Kissin by Beethoven, Brahms, Prokofiev, Chopin, Du (2024/2024), Barbican Centre, Londres, Royaume-Uni

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