Name: Fidelio
Start: 2004-01-25T00:00:00.000Z
End: 2004-02-15T00:00:00.000Z
Location: Opernhaus

Organization

Певец

Reinhard Mayr

No role specified

Matti Salminen

Christoph Strehl

Дирижер

Nikolaus Harnoncourt

Режиссер-постановщик

Jürgen Flimm

Gudrun Hartmann

Художник-постановщик

Rolf Glittenberg

Художник по костюмам

Marianne Glittenberg

Художник по свету

Jakob Schlossstein

Хормейстер

Ernst Raffelsberger

Тенор

Jonas Kaufmann

Флорестан

Soprano

Camilla Nylund

Леонора

Баритон

Alfred Muff

Дон Пизарро

Бас

László Polgár

Рокко

Жакино

Elizabeth Magnuson

Марселина

Boguslaw Bidzinski

Первый заключенный

Gabriel Bermúdez

Второй заключенный

Günther Groissböck

Дон Фернандо

Opernhaus Zürich

Others

Chor der Oper Zürich

Orchestra

Philharmonia Zürich

немецкий

Fidelio -  (Фиделио)

Цюрих

Швейцария

Opernhaus

Fidelio by Beethoven, from Zurich Opera, 2004. Directed by Jürgen Flimm, conductor Nikolaus Harnoncourt, starring Jonas Kaufmann, Alfred Muff, László Polgár, Christoph Strehl, Gabriel Bermúdez, Camillia Nylund, Elizabeth Rae Maguson and Boguslaw Bidzinski. Performed in German.

This stellar production of Beethoven's Fidelio—the sole opera by the universally beloved composer born 250 years ago—stands out from the pack. First, it features a young Jonas Kaufmann in 2004, near the beginning of his meteoric rise to superstardom thanks to the qualities already on full display here: a dark and stentorian tenor voice, remarkable acting capacities, and a seemingly effortless expressiveness that make him a perfect fit for the iconic roles he would go on to embody, not least of which is Florestan.

But even the greatest soloist cannot make an opera work on his own—and the unique alchemy here between Jürgen Flimm's minimalist staging and Nikolaus Harnoncourt's expert musical approach focuses the drama's power on the ineffable power of love, rather than just on philosophy or politics. Fidelio tells the story of Leonora (soprano Camilla Nylund, in one of the roles that launched her to international success like Kaufmann), who disguises herself as a man (Fidelio, "faithful one”), to rescue her husband (Florestan), unjustly imprisoned by his enemy Pizarro (here, a powerful Alfred Muff) and guarded by the warden Rocco (a worthy László Pólgár). Fittingly, the original title of the opera was Leonore, or The Triumph of Marital Love...

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