Name: Floria Tosca
Start: 2022-02-10T00:00:00.000Z
End: 2022-02-10T00:00:00.000Z
Location: Samara Academic Theatre of Opera and Ballet

Organization

Direction d'orchestre

Alexander Anisimov

Mise en scène

Yuri Alexandrov

Décors

Vyacheslav Okunev

Direction de choeur

Olga Safronova

Lumières

Irina Vtornikova

Stage Director’s Assistant

Tatyana Karpacheva

Libretto

Luigi Illica

Giuseppe Giacosa

Samara Academic Theatre of Opera and Ballet

italien

Floria Tosca

Samara

Russie

Floria Tosca: Tosca Puccini

Public

Tosca

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Basse

Chanteur

Baryton-basse

Ténor

Mezzo-soprano

Soprano

Contre-ténor

Contralto

Baryton

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Tosca, a bloody story of love and jealousy during the Napoleonic Wars, was based on the deafeningly successful French play by Victorien Sardou, starring legendary actress Sarah Bernhardt as Floria Tosca. Today the play is forgotten, but everyone knows the opera, and this is the merit of music. Puccini works on the listener's emotions with unerring, almost manipulative precision. We even forgive him for the gap in the rapid pace of events, which he was forced to make at the request of the first performer of the role of Tosca, adding the aria "Vissi d'arte", in which the soprano tries in vain to reach heaven.

The last romantic of Italian opera, Giacomo Puccini (1858–1924) himself lived a life worthy of a libretto character. As an eighteen-year-old boy, he walked 20 kilometers to Pisa to listen to Verdi's Aida, and after that he decided to become an opera composer by all means. And he became him, and gained immense popularity, and became rich. He loved cards and fast cars, had romances with singers and was the talk of the town among critics for his too bright and catchy work. Puccini created only twelve operas, but a third of them are on everyone's lips: La Boheme, Tosca, Madame Butterfly, Turandot.

The current production of Tosca at SATOB is already the sixth in a row: the opera was staged here in 1933, 1941, 1950, 1963 and 1982. In the first half of the 20th century, it was run here under the original author's name. Since the 1963 production by director Georgy Gelovani and conductor Savely Bergolts, this opera has been listed on Kuibyshev and Samara posters as Floria Tosca, following the practice of Leningrad theaters. At the beginning of his career, in 1982, "Tosca" in our theater was designed by set designer Vyacheslav Okunev - it was a performance by Alexander Tumilovich and Lev Ossovsky. Three decades later, Okunev, already a People's Artist of Russia, returned to Samara to work on the same opera, this time in a different production.

English

Floria Tosca by Puccini, Du (2022/2022), Dirigé par Yuri Alexandrov,, Chef d'orchestre Alexander Anisimov, Samara Academic Theatre of Opera and Ballet, Samara, Russie

Crédits de représentation (Distribution et équipe de production )

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles