Organization

Ensemble I Solisti

Conductor

Etienne Siebens

Singer

Jan Decleir

Der Tribun

Others

Freedom o(r) Speech

Amsterdam

Netherlands

Freedom o(r) Speech: Der Tribun (+1 More)

Private

Public

The Tribune

De Staat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Countertenor

Bass-baritone

Contralto

Bass

Soprano

Mezzo-soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

ANDRIESSEN AND KAGEL
Merkel is a fan of Wagner, Obama listens to Bob Dylan and Putin loves folk music. Can music make politicians think better? 
In his minimalist cantata De Staat (1972-1976), Louis Andriessen makes a stand against totalitarianism with energetic rhythms and boisterous chords. In Der Tribun (1979) , Mauricio Kagel, on the other hand, puts political populism in its shirt with humpapa copper and slanderers music. A new text by Dimitri Verhulst, with Jan Decleir as a contemporary demagogue, celebrates the arrival of a new political era: “The future beckons, the sky clears and even the roses turn blue. Tomorrow, tomorrow is mine and you.”

English

ANDRIESSEN EN KAGEL
Merkel is fan van Wagner, Obama luistert naar Bob Dylan en Poetin houdt van volksmuziek. Kan muziek de politiek tot betere gedachten brengen?
In zijn minimalistische cantate De Staat (1972-1976) maakt Louis Andriessen met energieke ritmes en balsturige akkoorden een vuist tegen totalitarisme. Mauricio Kagel zet in Der Tribun (1979) het politieke populisme dan weer in zijn hemd met hoempapakoper en schuinsmarcheerders-muziek. Een nieuwe tekst van Dimitri Verhulst, met Jan Decleir als hedendaagse volksmenner, bejubelt de komst van een nieuw politiek tijdperk: “De toekomst wenkt, de lucht klaart op en zelfs de rozen kleuren blauw. Morgen, morgen is van mij en jou.”

Nederlands

Freedom o(r) Speech by Kagel, Andriessen, Minn (2018/2018), Surmast Direttur Etienne Siebens

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