Name: Gianni Schicchi
Start: 2004-03-19T00:00:00.000Z
End: 2004-04-07T00:00:00.000Z
Location: Palais Garnier

Organization

Baritone

Alessandro Corbelli

Gianni Schicchi

Soprano

Patrizia Ciofi

Lauretta

Contralto

Elena Zilio

Zita

Tenor

Roberto Saccà

Rinuccio

Jean-Paul Fouchécourt

Gherardo

Jeannette Fischer

Nella

Bass

Alain Vernhes

Betto di Signa

Donato Di Stefano

Simone

José Fardilha

Marco

Mezzo-soprano

Tiziana Tramonti

La Ciesca

Orazio Mori

Maestro Spinelloccio

Roberto Accurso

Ser Amantio di Nicolao

Josep Miquel Ribot

Pinellino

Armando Noguera

Guccio

Conductor

Seiji Ozawa

Stage director

Laurent Pelly

Set designer

Florence Evrard

Caroline Ginet

Costume designer

Lighting designer

Joël Adam

Opéra National de Paris

Orchestra

Paris Opera Orchestra

Paris

France

Palais Garnier

Complete cast at the beginning.
Gianni Schicchi: Alessandro Corbelli
Lauretta: Patrizia Ciofi
Zita: Elena Zilio
Rinuccio: Roberto Sacca
a.o.
Orchestra de Opera National de Paris
conductor: Seiji Ozawa
stage direction: Laurent Pelly
2004
TV broadcast

Gianni Schicchi Puccini

Public

Approved

he Spanish Hour / Gianni Schicchi by Maurice Ravel and Giacomo Puccini, from May 17 to June 17, 2018 at the Opéra Bastille. Information and reservations:https://www.operadeparis.fr/saison-17...

La saison du Ballet de l’Opéra s’ouvre par un rendez‑vous unique et désormais régulier, un gala exceptionnel qui réunit sur scène les Étoiles, les Premiers Danseurs et l’ensemble du Corps de Ballet, sans oublier les élèves de l’École de Danse. Au programme, un spectacle éblouissant avec en ouverture le somptueux Défilé du Ballet lequel, en dévoilant la scène jusqu’au Foyer de la Danse, rend hommage aux intentions architecturales de Charles Garnier. Deux entrées au répertoire accompagnent Diamants de George Balanchine, hommage du chorégraphe à l’école de danse russe : Trois Gnossiennes de Hans van Manen et Faun de Sidi Larbi Cherkaoui, pas de deux mystérieux et délicats où l’émotion émane de la musique et du mouvement. Une soirée qui permet de célébrer le talent et la technique des danseurs de la Compagnie.A distinct whiff of commedia dell’arte pervades this programme. Spiced with Italian buffa, L’Heure espagnole transports us to Torquemada’s clock shop, the scene of his wife Concepcion’s infidelities. Latin in its harmonic sensuality, the farcical humour of Ravel’s opera is a fitting counterpart to the situation imagined by Puccini in Gianni Schicchi. Weary of tragic subjects, for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead! 
Guided by his acute eye for detail and sense of comedy, Laurent Pelly’s hilarious production examines the cogwheels of cuckoldom and sets them whirring to Puccini’s feisty social satire.the scene of his wife Concepcion’s infidelities. Latin in its harmonic sensuality, the farcical humour of Ravel’s opera is a fitting counterpart to the situation imagined by Puccini in Gianni Schicchi. Weary of tragic subjects, for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead! 
Guided by his acute eye for detail and sense of comedy, Laurent Pelly’s hilarious production examines the cogwheels of cuckoldom and sets them whirring to Puccini’s feisty social satire.the scene of his wife Concepcion’s infidelities. Latin in its harmonic sensuality, the farcical humour of Ravel’s opera is a fitting counterpart to the situation imagined by Puccini in Gianni Schicchi. Weary of tragic subjects, for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead! 
Guided by his acute eye for detail and sense of comedy, Laurent Pelly’s hilarious production examines the cogwheels of cuckoldom and sets them whirring to Puccini’s feisty social satire.for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead! 
Guided by his acute eye for detail and sense of comedy, Laurent Pelly’s hilarious production examines the cogwheels of cuckoldom and sets them whirring to Puccini’s feisty social satire.for the final part of Il Trittico Puccini composed a grand confidence trick orchestrated by a falsifier willing to do anything to gain wealth. Including bringing back the dead! 
Guided by his acute eye for detail and sense of comedy, Laurent Pelly’s hilarious production examines the cogwheels of cuckoldom and sets them whirring to Puccini’s feisty social satire.

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