Name: Gismondo
Start: 2020-09-11T00:00:00.000Z
End: 2020-09-13T00:00:00.000Z
Location: Markgräfliches Opernhaus

Organization

Bayreuth Baroque Opera Festival

Singer

Countertenor

Max Emanuel Cencic

Gismondo

Yuriy Mynenko

Ottone

Soprano

Sophie Junker

Cunegonda

Aleksandra Kubas-Kruk

Primislao

Dilyara Idrisova

Giuditta

Jake Arditti

Ernesto

Nicholas Tamagna

Ermanno

Conductor

Martyna Pastuszka

Others

{oh!} Orkiestra

Bayreuth

Germany

Markgräfliches Opernhaus

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Contralto

Baritone

Tenor

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

GISMONDO, RE DI POLONIA
Leonardo Vinci
DRAMMA PER MUSICA IN THREE ACTS (CONCERT PERFORMANCE)
Sunday, September 13, 2020 | 18:00 h Markgräfliches Opernhaus Bayreuth
First performed at Rome’s Teatro delle Dame in 1727, Leonardo Vinci’s opera about Poland, Gismondo, is a masterpiece that has all the qualifications for entry into the standard repertoire. Its libretto alone, with its family relationships full of Freudian complexes and occult practices, defies established opera seria conventions. The plot revolves around an unpredictable despot, who pushes the world order to the brink of the abyss with policies that serve not the laws of reason and humanity but rather erratic impulses and superstitious rituals. Vinci’s scenes are reminiscent of therapy sessions. They accompany their heroes and heroines down into the dungeons of their souls and out onto Shakespearian battlefields where the living climb up out of mountains of corpses.

Vinci’s Gismondo has enjoyed triumphant success in concert performance in Vienna, Moscow and Warsaw since 2018, and has been recorded on CD. At Bayreuth Baroque, this soul-searching work is being given its first trial outing in a performance in Germany, with Aleksandra Kubras-Kuk as the neurotic Primislao and Max Emanuel Cencic in the title role. The children fighting to restore order in the world of their fathers, which has sunk into chaos, are played by Sophie Junker and Yuriy Mynenko.

English

Gismondo by Vinci, Alates (2020/2020), Dirigent Martyna Pastuszka, Markgräfliches Opernhaus, Bayreuth, Germany

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad