Name: Giulio Cesare in Egitto
Start: 2020-07-31T00:00:00.000Z
End: 2020-07-31T00:00:00.000Z
Location: HNK Zajc

Organization

Admin

Direzione d'orchestra

Ville Matvejeff

Regia

Marin Blažević

Cantante

Controtenore

Diana Haller

Giulio Cesare

Soprano

Anamarija Knego

Cleopatra

Michaela Selinger

Contralto

Dubravka Šeparović Mušović

Cornelia

Sonja Runje

Tolomeo

Basso

Dario Bercich

Achilla

Marko Fortunato

Nireno

Ivan Šimatović

Scenografia

Costumi

Sandra Dekanić

Luci

Dalibor Fugošić

Coreografia

Michele Pastorini

Croatian National Theatre “Ivan PL. Zajc” Rijeka

Giulio Cesare in Egitto -  (Giulio Cesare)

Fiume

Croazia

HNK Zajc

Public

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Mezzosoprano

Baritono

Tenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Giulio Cesare in Egitto Händel

Libreto: Giacomo Francesco Bussani, Nicola Francesco Haym

U prvom činu scena je obogaćena zanimljivim detaljem, svaki je solist iza sebe imao ekran na kojemu se u krupnom planu vidjelo lice svakoga od njih i emotivni
doživljaj sniman kamerom u trenutku nastupa. Scena je obogaćena dijelovima rekvizite iz već odigranih opera, a posebno je zamjetan odmak od tragedije u sitnim komičnim međuodnosima među protagonistima, koji ponekad karikiraju veličinu i snagu patnje, ali i ljubavi i osvete.

No, ono što je definitivno ponovno osvojilo publiku, koja je pljeskala vrlo često na otvorenoj sceni, bila je prekrasna, bogata, barokna Händelova glazba i sjajni solisti koji su savršeno vladali glasovnim bravurama uz mnoštvo glumačko-scenskih zahtjeva redatelja. Virtuozno raspjevana Diana Haller, milozvučna Anamarija Knego, melodizna Michaela Selinger i tamna i emotivna Dubravka Šeparović Mušović, kao i čvrsta i čista Sonja Runje, uz izvrstan muški dio solista: Daria Berčića, Marka Fortunata i Ivana Šimatovića, publici su pružili neizmjeran glazbeni užitak koji je bio upotpunjen izvrsnim orkestrom.
(Gloria Fabijanić Jelović, HRT Radio Rijeka)

/

Libretto: Giacomo Francesco Bussani, Nicola Francesco Haym

In the first act, the scene is enriched with interesting details; each soloist had a screen behind them showing their face, so the emotional experience recorded by the camera in the moment of performance could be seen in close-up. The scene is enriched with parts of props from previously performed operas, and the departure from the tragedy is especially noticeable in the small comic relationships between the protagonists, who sometimes caricature the magnitude of power and suffering, but also of love and revenge.

But what definitely won over the audience again, leading them to applaud before the open stage, was the beautiful, rich, baroque Händel music and the brilliant soloists who perfectly mastered the vocal feats with the multitude of stage-acting demands of the director. Virtuosically sung by Diana Haller, the melodious Anamarija Knego, the melodic Michaela Selinger, the dark and emotional Dubravka Šeparović Mušović and the strong and pure Sonja Runje, and an excellent set of male soloists, Dario Bercich, Marko Fortunato and Ivan Šimatović, the show provided the audience with immeasurable musical pleasure complemented by an excellent orchestra.
(Gloria Fabijanić Jelović, HRT Radio Rijeka)

Libreto: Giacomo Francesco Bussani, Nicola Francesco Haym

U prvom činu scena je obogaćena zanimljivim detaljem, svaki je solist iza sebe imao ekran na kojemu se u krupnom planu vidjelo lice svakoga od njih i emotivni
doživljaj sniman kamerom u trenutku nastupa. Scena je obogaćena dijelovima rekvizite iz već odigranih opera, a posebno je zamjetan odmak od tragedije u sitnim komičnim međuodnosima među protagonistima, koji ponekad karikiraju veličinu i snagu patnje, ali i ljubavi i osvete.

No, ono što je definitivno ponovno osvojilo publiku, koja je pljeskala vrlo često na otvorenoj sceni, bila je prekrasna, bogata, barokna Händelova glazba i sjajni solisti koji su savršeno vladali glasovnim bravurama uz mnoštvo glumačko-scenskih zahtjeva redatelja. Virtuozno raspjevana Diana Haller, milozvučna Anamarija Knego, melodizna Michaela Selinger i tamna i emotivna Dubravka Šeparović Mušović, kao i čvrsta i čista Sonja Runje, uz izvrstan muški dio solista: Daria Berčića, Marka Fortunata i Ivana Šimatovića, publici su pružili neizmjeran glazbeni užitak koji je bio upotpunjen izvrsnim orkestrom.
Gloria Fabijanić Jelović, HRT Radio Rijeka

hrvatski

Libretto: Giacomo Francesco Bussani, Nicola Francesco Haym

In the first act, the scene was enriched with an interesting detail, each soloist had a screen behind him on which the face of each of them could be seen in close-up and the emotional
experience captured by the camera at the moment of the performance. The scene is enriched with parts of props from already performed operas, and the departure from tragedy is especially noticeable in the small comic interrelationships between the protagonists, which sometimes caricature the greatness and strength of suffering, but also of love and revenge.

But what definitely recaptured the audience, who applauded very often on the open stage, was the beautiful, rich, baroque music of Handel and the great soloists who perfectly mastered the vocal bravado with the multitude of acting and stage demands of the director. The virtuoso singing of Diana Haller, the melodious Anamarija Knego, the melodious Michaela Selinger and the dark and emotional Dubravka Šeparović Mušović, as well as the firm and pure Sonja Runje, along with the excellent male part of the soloists: Dario Berčić, Marko Fortunat and Ivan Šimatović, provided the audience with immense musical pleasure that was completed by an excellent orchestra.
Gloria Fabijanić Jelović, HRT Radio Rijeka

English

Giulio Cesare by Händel, Da (2020/2020), Diretto da Marin Blažević,, Direttore d'orchestra Ville Matvejeff, HNK Zajc, Fiume, Croazia

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Programma, informazioni e sinossi

Video

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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