Name: Grigory Sokolov
Start: 2024-02-18T00:00:00.000Z
End: 2024-02-18T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Instrumentalist

Grigory Sokolov

Keyboard

Harpsichord

Pianist

Piano

Seville

Spain

Teatro de la Maestranza

Sala Principal

Grigory Sokolov: Recital Various

Public

Recital

Concert

4 Duettos, BWV 802-805

Partita in C minor, BWV 826

Mazurkas, Op.30

Mazurkas, op. 50

Waldszenen, op. 82

Approved

Bass

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Singer

Bass-baritone

Baritone

Tenor

Countertenor

Mezzo-soprano

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

#Sokolov #sevilla #piano Fecha: 18 de febrero, 19h. www.teatrodelamaestranza.esHay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego es...

Grigory Sokolov: 4 Duettos, BWV 802-805 Bach, J. S. (+4 More)

La experiencia Sokolov

Hay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego está… Sokolov: carismático, colosal, magnético. Crecido frente a un teclado, el ruso Grigory Sokolov asombró al jurado del Concurso Internacional Chaikovski de 1966 ganando el primer premio. Tenía 16 años y su primer partidario, como presidente de aquel jurado, fue nada más y nada menos que otra leyenda del pianismo ruso: Emil Gilels.

Sokolov solo interpreta la música que ama, siempre en vivo y rara vez en estudio. No suele anticiparla con demasiada antelación a los teatros y auditorios que lo contratan, de modo que sus espectadores suelen adquirir los tickets de sus conciertos como quien se aventura a una cita a ciegas, lo que convierte a sus recitales en un encuentro tan entregado y expectante que roza, musicalmente, la mística. A partir de su portentosa precisión técnica, Sokolov extrae una dimensión espiritual y sonora inédita en recitales a los que se entrega con una devoción sorprendente alargándolos con la generosidad de regalarnos media docena de propinas. Su teclado, más que sobriamente perfecto, vibra de una forma sorprendentemente orgánica, celular, y nunca tan robusta como para que no percibamos el fluir de las notas y los intersticios de silencio que se ocultan tras ellas. Su “sacerdotal” entrega a la música, su negativa a entrar en estudios de grabación, su rechazo a conceder entrevistas -hasta el punto de que en un documental sobre su figura, elocuentemente titulado Sokolov, una entrevista imaginaria, el protagonista del filme no realiza declaración alguna, lo han convertido en una figura extravagante.

El pianista más codiciado de la escena vuelve a Sevilla. Aunque ya lo hayan visto, ustedes saben que un concierto de Grigory Sokolov nunca se parece a otro, aunque solo sea porque la tanda de generosas propinas que suele regalar constituyen una especie de imprevisible concierto extra. Pocos músicos comparten en escena semejante amor y pasión por la música. Déjese invadir por ella.

español

The Sokolov experience

There are prodigious piano virtuosos. There are exciting soloists. And then there's… Sokolov: charismatic, colossal, magnetic. Grown up in front of a keyboard, the Russian Grigory Sokolov astonished the jury of the 1966 International Tchaikovsky Competition by winning first prize. He was 16 years old and his first supporter, as president of that jury, was nothing more and nothing less than another legend of Russian pianism: Emil Gilels.

Sokolov only performs the music he loves, always live and rarely in the studio. He does not usually anticipate it too far in advance to the theaters and auditoriums that hire him, so that his spectators usually buy the tickets for his concerts like someone who ventures on a blind date, which makes his recitals such a dedicated and expectant encounter. that touches, musically, mysticism. From his prodigious technical precision, Sokolov extracts an unprecedented spiritual and sound dimension in recitals to which he gives himself with surprising devotion, extending them with the generosity of giving us half a dozen tips. His keyboard, more than soberly perfect, vibrates in a surprisingly organic, cellular, and never so robust that we do not perceive the flow of the notes and the interstices of silence that are hidden behind them. His "priestly" dedication to music, his refusal to enter recording studios, his refusal to grant interviews -to the point that in a documentary about him, eloquently titled Sokolov, an imaginary interview, the protagonist of the film does not carry out any statement, they have turned him into an extravagant figure.

The most coveted pianist on the scene returns to Seville. Even if you've already seen it, you know that one Grigory Sokolov concert is never like another, if only because the batch of generous tips he usually gives out constitutes a kind of unpredictable bonus concert. Few musicians share such a love and passion for music on stage. Let yourself be invaded by it.

English

Grigory Sokolov by Bach, J. S., Chopin, Schumann, Minn (2024/2024), Teatro de la Maestranza, Seville, Spain

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