Name: Guerras do alecrim e manjerona
Start: 2021-12-10T00:00:00.000Z
End: 2021-12-11T00:00:00.000Z
Location: CCB Centro Cultural de Belém

Organization

Singer

Joana Seara

Clóris

Marco Alves dos Santos

Gil Vaz

João Fernandes

Semicúpio

Luis Rodrigues

Dom Lancerote

Conductor

Marcos Magalhães

Fundação Centro Cultural de Belém

Others

Os Mu´sicos do Tejo

portugali

Guerras do alecrim e manjerona -  (Rosemary and Marjoram Wars)

Lisbon

Portugal

CCB Centro Cultural de Belém

Pequeno Auditório

Public

Rosemary and Marjoram Wars

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Soprano

Mezzo-soprano

Contralto

Bass-baritone

Tenor

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Guerras do alecrim e manjerona Teixeira

The Wars of Rosemary and Marjoram, by António José da Silva (1705-1739) and António Teixeira (1707-1774), is a Joco-Séria Opera, which was performed for the first time at the Bairro Alto Theater in Lisbon, at the carnival of 1737.

It is a masterpiece of Portuguese theater and music and of crucial importance in our culture. Músicos do Tejo is now presenting a new version of the concert, but which will focus on text and theatrical play.

In this « opera in Portuguese taste » (as this genre of theater spoken in Portuguese was called at the time and with various musical numbers sung with orchestral accompaniment), we find a perfect balance between the comicity of the text, characters and situations; literary and musical beauty; as well as the pace of development and structuring of the work. Its tone is always varying between multiple layers: grotesque, sublime, dramatic, pastoral, satirical, among others that blend in a style that, at times, is rich in something that, intuitively, we call "castiço", even if that word with so much meaning for the Portuguese, is, deep down, so mysterious.

We don't want to reveal the story too much, but we can say that the plot revolves around young people who want to unite despite the opposition of a tutor accustomed to the most conservative difficulties. The context is that of the extended theatrical family that we always find in 18th-century theatre, in which the house's owners are joined by the always ingenious and quick servants to propose intriguing solutions and the respective outcome. – Marcos Magalhães and Marta Araújo

English

he Alecrim and Marjoram Wars, by António José da Silva (1705-1739) and António Teixeira (1707-1774), is a Joco-Séria Opera, which was performed for the first time at the Teatro do Bairro Alto in Lisbon, in carnival of 1737.

It is a masterpiece of Portuguese theater and music and of central importance in our culture. The Músicos do Tejo now present a new concert version, but which will privilege the text and the theatrical game.

In this « opera in the Portuguese taste » (as this genre of theater was called at the time, spoken in Portuguese and with several musical numbers sung with orchestral accompaniment), we find a perfect balance between the comic of the text, characters and situations; literary and musical beauty; as well as the pace of development and structuring of the work. Its tone always varies between multiple strata: grotesque, sublime, dramatic, pastoral, satirical, among others that mix in a style that, at times, is rich in something that, intuitively, we call "castiço", even if this word with so much meaning for the Portuguese, is, deep down, so mysterious.

We don't want to reveal the story too much, but we can say that the plot revolves around young people who want to unite despite the opposition of a tutor accustomed to the most conservative difficulties. The context is that of the extended theatrical family that we always find in the 18th century theater, in which the owners of the house are joined by the servants who are always ingenious and ready to propose intrigue solutions and the respective denouement. – Marcos Magalhães and Marta Araújo

Rosemary and Marjoram Wars by Teixeira, A., Alates (2021/2021), Dirigent Marcos Magalhães, CCB Centro Cultural de Belém, Lisbon, Portugal

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad