Name: Guitare & orchestre
Start: 2024-11-06T00:00:00.000Z
End: 2024-11-07T00:00:00.000Z
Location: Victoria Hall

Admin

Orchestre de la Suisse Romande

Conductor

Ana María Patiño-Osorio

Orchestra

Instrumentalist

Pablo Sainz Villegas

Guitar

Guitare & orchestre

Geneva

Switzerland

Victoria Hall

Lausanne

Théâtre de Beaulieu

Guitare & orchestre:    Masquerade, Clyne  (+2 more)

Public

Concert

Oratorio / Orchestral

Masquerade

Concierto de Aranjuez

Symphony No. 8 in G Major, op. 88

Teja Boyidi

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Bass

Countertenor

Contralto

Mezzo-soprano

Tenor

Baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

In 2013, English composer Anna Clyne received a special commission to open the famous Last Night of the Proms in London, with the Masquerade Overture, which draws inspiration from the outdoor music played in 18th-century London parks. Clyne uses a lavish orchestra to conjure images of masked revelry and the extravagant ambiance of such grand gatherings. As the sonorous waves swell from the orchestra pit, keen listeners may catch echoes of Juice of Barley, an old Irish country dance song. Composed in 1940 and distinctly neoclassical, Joaquin Rodrigo’s Concerto d’Aranjuez conjures a dreamlike Spain to help forget the horrors of the Civil War that preceded World War II. His slow movement has traversed the globe in various arrangements. Dvorák’s Symphony No. 8, with its themes reminiscent of folk music, stands as a genuine anthem to Bohemia, creating an irresistible atmosphere of exaltation and peace.

English

Commandée à la compositrice anglaise Anna Clyne en 2013 pour ouvrir la fameuse Last Night of the Proms de Londres, l’Ouverture Masquerade s’inspire des musiques de plein air jouées dans les parcs londoniens au XVIIIe siècle. Elle utilise un riche orchestre évoquant les déguisements masqués et le décor grandiloquent de tels rassemblements. À travers les grandes houles de l’orchestre on peut reconnaître, Juice of Barley, une vieille danse country irlandaise. Composé en 1940 et résolument néo-classique, le Concerto d’Aranjuez de Joaquin Rodrigo évoque une Espagne de rêve pour faire oublier les horreurs de la Guerre civile préludant la Seconde Guerre mondiale. Son mouvement lent a fait le tour du monde dans toutes sortes d’arrangements. Avec ses thèmes proches de la musique populaire, la Symphonie N° 8 de Dvorák est un véritable hymne à la Bohême dans un irrésistible climat d’exaltation et de paix.

français

Guitare & orchestre by Clyne, Rodrigo, Dvořák, Minn (2024/2024), Surmast Direttur Ana María Patiño-Osorio, Victoria Hall, Geneva, Switzerland

Krediti ta' prestazzjoni (Il-Kast & l-Ekwipaġġ )

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Programm, Dwar & Sinossi

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