Organization

Wideo

Philipp Contag-Lada

Dyrygent

Alevtina Ioffe

Reżyseria

Axel Ranisch

Scenografia

Saskia Wunsch

Kostiumy

Alfred Mayerhofer

Reżyseria światła

Reinhard Traub

Przygotowanie chóru

Bernhard Moncado

Dramaturgia

Franz-Erdmann Meyer-Herder

Śpiewak

Sopran

Josefin Feiler

Małgosia

Mezzosopran

Ida Ränzlöv

Jaś

Rosie Aldridge

Baba Jaga

Baryton

Shigeo Ishino

Piotr

Catriona Smith

Gertruda

Claudia Muschio

Sand- und Taumännchen

Young Opera in the North

Others

Children's Choir of the Stuttgart Opera

Orchestra

Staatsorchesters Stuttgart

niemiecki

Hänsel und Gretel -  (Jaś i Małgosia)

Niemcy

Hänsel und Gretel Humperdinck

Public

Jaś i Małgosia

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Realizacja dźwięku

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Bas - baryton

Kontralt

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Trailer zu Engelbert Humperdincks "Hänsel und Gretel"Premiere am 6. Februar 2022 im OpernhausMehr dazu: https://www.staatsoper-stuttgart.de/spielplan/a-z/hae...

Even in fairy tales, the world sometimes looks like it is going to the dogs: In the Besenbinder house, where the siblings Hansel and Gretel grow up, there is seldom more to bite than dry bread. And outside, too, you can only find something to eat quite deep in the dark forest, because the immediate home environment does not throw off anything. But what else do you want to do with such a broken world? Fortunately, there is a certain crispy witch who, as a charity queen, solves the supply problem with director Axel Ranisch and distributes delicious colorful drops. The catch: In this “Charlie and the chocolate factory gone wrong” fantasy, Hansel and Gretel discover that the candy is made from rather unusual ingredients. When the crispy witch is finally in the oven herself, in which Hansel was supposed to be roasting, no more children will disappear - but the food shortage remains. But we wouldn't be in a fairy tale if hope didn't grow from somewhere in the end. Engelbert Humperdinck and his sister Adelheid Wette originally only wanted to perform a little fairy tale game for Christmas, but the escalation logic of the project, which then set in with great enthusiasm, brought us one of the most popular large-format family pieces in music theater history. The ideal cast therefore: Axel Ranisch, who was part of the team, hacked with the conductor Alevtina Ioffe The love for three oranges landed a real hit with the public for the Stuttgart State Opera in 2018, already from the daring double evening Iolanta / Mavra at the Bavarian State Opera in Munich. He takes Humperdinck's fairy tale opera again with a lot of love for storytelling and crude humor and as if incidentally asks the question of what kind of transformations the world has to go through before we know what the good life could look like.

English

Jaś i Małgosia by Humperdinck, od (2022/2022), W reżyserii Axel Ranisch,, Dyrygent Alevtina Ioffe

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca