Name: Haydn And Mozart: Symphonic Splendour
Start: 2023-01-09T00:00:00.000Z
End: 2023-01-16T00:00:00.000Z
Location: Musikverein

Organization

Conductor

John Eliot Gardiner

Instrumentalist

Violinist

Isabelle Faust

Violin

Violist

Antoine Tamestit

Viola

Orchestra

English Baroque Soloists

Theater Wolfsburg

Haydn And Mozart: Symphonic Splendour

Munich

Germany

Isarphilharmonie

Budapest

Hungary

Müpa Budapest

London

United Kingdom

St Martin-in-the-Fields

Vienna

Austria

Musikverein

Wolfsburg

Cologne

Cologne Cathedral

Sir John Eliot Gardiner derigiert die: English Baroque Soloists: Symphony No. 36 in C Major, K. 425 ("Linz Symphony") Mozart (+2 More)

Public

Sinfonia concertante in E-flat for violin and viola, K. 364

Symphony No. 36 in C Major, K. 425 ("Linz Symphony")

Symphony No. 84 in E-flat major “In nomine Domini”

Approved

Sir John Eliot Gardiner derigiert die: English Baroque Soloists: Symphony No. 36 in C Major, K. 425 ("Linz Symphony") (+2 More)

Part 1 - John Eliot Gardiner and his superb period-instrument chamber orchestra, English Baroque Soloists, record their unique interpretation of Bach's Brand...

Sir John Eliot Gardiner dirigiert Brandenburg Concertos - Part 1

The English Baroque Soloists are joined by Isabelle Faust and Antoine Tamestit, two of the most revelatory and poetic performers working today, for a programme of dazzling orchestral works by Haydn and Mozart. They are the ideal partners for Mozart’s Sinfonia concertante, which plumbs the depths of pathos in its slow movement but also reveals sonorous grandeur, a yearning lyricism and, in the end, a skittish wit.

The piece will be preceded by one of the symphonies which Haydn wrote in 1785-6 for the Parisian concert organisation Le concert de la Loge Olympique; in accordance with Parisian taste, it features colourful wind writing, and the second movement is an exquisite set of variations.

Mozart and his wife Constanze were on their way from Salzburg to Vienna when they stopped for a few days in Linz at the invitation of their friend, Count Thun-Hohenstein. Mozart wrote in a letter on 31 October 1783 that a concert had been arranged for 4 November, and ‘I didn’t bring a single symphony with me, so I’ll have to write a new one at breakneck speed’. Despite that haste, his Symphony no 36 in C, nicknamed ‘Linz’, is one of his finest symphonies, venturing into uncharted territory (the opening movement is his first to include a slow introduction) and giving us a haunting slow movement, a Haydn-esque siciliana.

English

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