Name: Idomeneo
Start: 2016-01-22T00:00:00.000Z
End: 2016-01-22T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Singer

Tenor

Jeremy Ovenden

Idomeneo

Countertenor

Gaëlle Arquez

Idamante

Soprano

Sophie Karthäuser

Ilia

Alexandrina Pendatchanska

Elettra

Julien Behr

Arbace

Nicolas Rivenq

High priest of Neptune

Bass

Christoph Seidl

The voice

Conductor

René Jacobs

Libretto

Giambattista Varesco

MusikTheater an der Wien

Orchestra

Freiburger Barockorchester

italijanščina

Vienna

Austria

Theater an der Wien

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

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Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

On the 10th anniversary of the reopening of the Theater an der Wien as the new opera house of the City of Vienna, the two composers who are important for the history of the house will be given their place with two anniversary concerts: in addition to Beethoven's Fidelio, we also present Mozart's Idomeneo under the musical direction by René Jacobs, one of the most important conductors for the repertoire of the 18th century, who has also shaped the profile of the Theater an der Wien in the last ten years.
With Idomeneo, composed for the carnival at the Munich court (1781), the young Mozart tried to innovate the opera of his time: he combined forms of French opera with those of Italian and integrated choir and ballet. Since Mozart had one of the best orchestras of the time in Munich, the instrumental colors play a bigger role in the score than in any of his other operas. With the orchestral sound alone, Mozart subtly interprets the characters' exceptional psychological situations: a father who is supposed to sacrifice his son; a son who, against his father's will, loves a sad, captive princess; an offended princess and an angry god - the drama unfolds furiously in the music.

English

Idomeneo by Mozart, Od (2016/2016), Dirigent René Jacobs, Theater an der Wien, Vienna, Austria

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