Name: III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór)
Start: 2023-09-03T00:00:00.000Z
End: 2023-09-07T00:00:00.000Z
Location: Kościół Seminaryjny

Organization

Direzione d'orchestra

Krzysztof Garstka

Direzione del coro

Jakub Szafrański

Cantante

Soprano

Marta Boberska

Contralto

Anna Radziejewska

Alto

Tenore

Sylwester Smulczyński

Basso

Paweł Michalczuk

Aneta Łukaszewicz

Others

Zespół Wokalny Polskiej Opery Królewskiej

Zespół Instrumentów Dawnych Polskiej Opery Królewskiej Capella Regia Polona

Polska Opera Królewska

III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór)

Varsavia

Polonia

Kościół Seminaryjny

Lubartow

Iii Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór): Messiah Händel

Public

Messiah

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Basso-baritono

Mezzosoprano

Baritono

Controtenore

Continuo

Mimi

Narrazione

Voce bianca

Messiah Händel

Wydarzenie w ramach III Festiwaly Lubartowska Jesień Muzyczna

 

Oratorium Mesjasz zajmuje szczególne miejsce w twórczości Georga Friedricha Haendla. Siła jego wyrazu oraz uniwersalność przesłania sprawiły, iż jeszcze za życia kompozytora Mesjasz został okrzyknięty Arcydziełem. Choć skomponowane w zaledwie 24 dni, to do dziś cieszy się niegasnącą popularnością, za każdym razem wzbudzając entuzjazm publiczności. 

Libretto przygotowane przez Charlesa Jennensa jest kompilacją tekstów zaczerpniętych z Biblii Króla Jakuba oraz Modlitewnika Powszechnego. W istocie każda z trzech części utworu podejmuje osobny wielki temat. Część pierwsza zawiera proroctwo przyjścia na świat Zbawiciela. Druga część, zwieńczona słynnym chórem Alleluja, opowiada o życiu, śmierci i zmartwychwstaniu Chrystusa. Natomiast część ostatnia koncentruje się wokół zapowiedzi zbawienia ludzkości. 

Pod względem muzycznym Mesjasza charakteryzuje bogactwo zastosowanych środków, przy zachowaniu niewielkiej obsady wykonawczej. Za życia kompozytora zespół wokalistów i instrumentalistów nie przekraczał liczby 60 osób. Do tego pierwotnego brzmienia pragną nawiązywać artyści Polskiej Opery Królewskiej. Stąd też znakomitym solistom oraz zespołowi wokalnemu towarzyszyć będzie zespół instrumentów dawnych – Capella Regia Polona. Przy klawesynie zasiądzie Krzysztof Garstka, który poprowadzi wykonanie dzieła.

Marta Dziewanowska-Pachowska

 

Część I

1. Sinfonia
2. Comfort ye my people (tenor)
3. Ev’ry valley shall be exalted (tenor)
4. Thus saith the Lord of hosts (bas)
5. But who may abide the day of His coming (alt)
6. And he shall purify the sons of Levi (chór)
7. The people that walked in darkness have seen a great light (bas)
8. For unto us a child is born (chór)
9. And suddenly there was with the angel (sopran)
10. Glory to God in the highest (chór)
11. Rejoice greatly, O daughter of Zion (sopran)
12. His yoke is easy (chór)

Część II

13. Behold the Lamb of God (chór)
14. He was despised and rejected of men (alt)
15. Surely he has borne our griefs and carried our sorrows (chór)
16. All they that see him laugh him to scorn (tenor)
17. He trusted in God that he would deliver him (chór)
18. Thou art gone up on high (alt)
19. The Lord gave the word (chór)
20. How beautiful are the feet (sopran)
21. Why do the nations so furiously rage together (bas)
22. He that dwelleth in heaven (tenor)
23. Thou shalt break them with a rod of iron (tenor)
24. Hallelujah (chór) 

Część III

25. I know that my Redeemer liveth (sopran)
26. By man came death (chór)
27. The trumpet shall sound (bas)
28. If God be for us, who can be against us (sopran)
29. Worthy is the Lamb (chór) / Amen (chór)

polski

An event as part of the 3rd Lubartowska Jesień Muzyczna Festivals

 

The oratorio  Messiah  occupies a special place in the work of George Frideric Handel. The power of its expression and the universality of its message meant that the Messiah  was hailed as a Masterpiece even during the composer's lifetime. Although composed in just 24 days, it still enjoys undying popularity, each time arousing the enthusiasm of the audience. 

The libretto prepared by Charles Jennens is a compilation of texts taken from  the King James Bible  and  the Book of Common Prayer . In fact, each of the three parts of the work takes up a separate great theme. The first part contains the prophecy of the coming of the Savior into the world. The second part, crowned by the famous Alleluia chorus  , tells of the life, death and resurrection of Christ. The last part, on the other hand, focuses on the announcement of the salvation of mankind. 

Musically, Messiah  is characterized  by the richness of the means  employed  , while maintaining a small ensemble of performers . Throughout the composer's life, the ensemble of vocalists and instrumentalists  did not exceed 60 people .  The artists of the Polish Royal Opera want to refer to this original sound. Hence, with excellent soloists and a vocal ensemble, the group of old instruments - Capella Regia Polona - will accompany them. Krzysztof Garstka will sit at the harpsichord and lead the performance of the work.

Marta Dziewanowska-Pachowska

 

Part I

1. Sinfonia
2. Comfort ye my people (tenor)
3. Ev'ry valley shall be exalted (tenor)
4. Thus saith the Lord of hosts (bass)
5. But who may abide the day of His coming (alt)
6. And he shall purify the sons of Levi (choir)
7. The people that walked in darkness have seen a great light (bass)
8. For unto us a child is born (choir)
9. And suddenly there was with the angel (soprano)
10. Glory to God in the highest (choir)
11. Rejoice greatly, O daughter of Zion(soprano)
12. His yoke is easy (choir)

Part II

13. Behold the Lamb of God (choir)
14. He was despised and rejected of men (alt)
15. Surely he has borne our griefs and carried our sorrows (choir)
16. All they that see him laugh him to scorn (tenor)
17. He trusted in God that he would deliver him (choir)
18. Thou art gone up on high (alt)
19. The Lord gave the word (choir)
20. How beautiful are the feet (soprano)
21. Why do the nations so furiously rage together (bass)
22. He that dwelleth in heaven (tenor)
23. Thou shalt break them with a rod of iron (tenor)
24. Hallelujah (choir) 

Part III

25. I know that my Redeemer liveth (soprano)
26. B y man came death (choir)
27. The trumpet shall sound (bass)
28. If God be for us, who can be against us (soprano)
29. Worthy is the Lamb (choir) / Amen (choir)

English

III Festiwal Barokowy Polskiej Opery Królewskiej – Haendel. Inauguracja | Mesjasz (Wybór) by Händel, Da (2023/2023), Direttore d'orchestra Krzysztof Garstka, Kościół Seminaryjny, Varsavia, Polonia

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble

Programma, informazioni e sinossi

Foto

Ulteriori letture

Date e sedi delle rappresentazioni

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