Name: Il barbiere di Siviglia
Start: 2013-01-18T00:00:00.000Z
End: 2013-01-20T00:00:00.000Z
Location: Teatro Municipale Valli

Admin

Organization

Singer

Tenor

Enrico Iviglia

The Count of Almaviva

Bass

Filippo Polinelli

Doctor Bartolo

Mezzo-soprano

Natalia Gavrilan

Rosina

Baritone

Christian Senn

Figaro

Simon Lim

Don Basilio

Soprano

Na Hyun Yeo

Berta

Davide Pelissero

Fiorello

An officer

Conductor

Francesco Angelico

Stage director

Damiano Michieletto

Eleonora Gravagnola

Costume designer

Carla Teti

Chorus master

Alfonso Caiani

Set designer

Lighting designer

Alessandro Carletti

I Teatri di Reggio Emilia

Teatro Comunale di Modena

Teatro Valli di Reggio Emilia

Il barbiere di Siviglia -  (The Barber of Seville)

Reggio Emilia

Italy

Teatro Municipale Valli

Private

Public

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

This direction is a game of imagination and evocation. The spaces of history are always evoked, never represented. The possibility of evoking the presence of something on the stage is one of the fascinating aspects of the theater. So I tried to use normal and simple objects and make them become the only ingredient of the scenography. The result is that I found myself with a stage where twenty red chairs, a blue staircase, umbrellas and some huge balloons were all that was needed. The characters have exploded in their physical and caricatured characteristics. Therefore, here are some fantastic costumes, of pure imagination, with marked references to animalistic features, almost from a Commedia dell'Arte. The overture begins with a journey by train. A journey that seems to start in a normal way, without any unexpected events, but at a certain point the rhythm of the train begins to grow, grows, takes off and all the quiet passengers are involuntarily catapulted into the work, becoming the protagonists of this surreal dimension. The leitmotif of the journey constitutes the narrative frame within which the libretto of the opera breathes, animated by scenic inventions that touch a circus dimension and where everything that happens is supported by a choreographic vision of relationships ". Damiano Michieletto

English

The Barber of Seville by Rossini, Noiztik (2013/2013), Zuzendaria Damiano Michieletto, Eleonora Gravagnola,, Zuzendaria Francesco Angelico, Teatro Municipale Valli, Reggio Emilia, Italy

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