Organization

Admin

Ensemble La Palatine

Orchestra

Soprano

Marie Theoleyre

Instrumentalist

Guillaume Haldenwang

Harpsichord

Noémie Lenhoff

Violin

Nicolas Wattinne

Théorbe

Il n’y a pas d’amour heureux

Paris

France

Public

Concert

Delfina Gago

Approved

Bass

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

Baritone

Contralto

Tenor

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Surprising, dramatic and jubilant: La Palatine uses Italian music from the beginning of the 17th century to paint a chiaroscuro program on disenchantment in love.
A varied and intense love journey with multiple colors, ranging from the immaculate whiteness of Kapsberger's Rosa Bianca to the ironic reproaches of Merula's songs, via the bittersweet feelings of Savioni's cantatas. Monteverdi's Lamento d'Arianna will conclude this program, the paroxysm of the amorous despair of this concert whose common thread will be Brassens' song...
Also with works by Piccinini, Strozzi, Bartolotti...

English

Surprenant, dramatique et jubilatoire : La Palatine s'empare de la musique italienne du début du XVIIème siècle pour peindre un programme en clair-obscur sur le désenchantement amoureux.
Un parcours amoureux varié et intense aux couleurs multiples, allant de la blancheur immaculée de Rosa Bianca de Kapsberger aux reproches ironiques des chansons de Merula, en passant par les sentiments doux-amers des cantates de Savioni. Le Lamento d’Arianna de Monteverdi conclura ce programme, paroxysme du désespoir amoureux de ce concert dont le fil rouge sera la chanson de Brassens…
Avec également des œuvres de Piccinini, Strozzi, Bartolotti…

français

Il n’y a pas d’amour heureux by Various, No (2023/2023)

Izrādes kredīti (Izpildītāji un radošā komanda )

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Instrumentācija

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Programma, Informācija un Apraksts

Papildu informācija

Izrāžu datumi un norises vietas

Norises vietas