Name: Il trovatore
Start: 2013-11-29T00:00:00.000Z
End: 2013-12-22T00:00:00.000Z
Location: Schiller Theater

Admin

Organization

Chanteur

Baryton

Plácido Domingo

Le Comte de Luna

Soprano

Anna Netrebko

Leonora

Mezzo-soprano

Marina Prudenskaya

Azucena

Ténor

Gaston Rivero

Manrico

Basse

Adrian Sâmpetrean

Ferrando

Anna Lapkovskaja

Inès

Florian Hoffmann

Ruiz

Direction d'orchestre

Daniel Barenboim

Mise en scène

Philipp Stölzl

Décors

Conrad Moritz Reinhardt

Costumes

Ursula Kudrna

Chorégraphie

Mara Kurotschka

Dramaturgie

Jan Dvořák

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

italien

Il trovatore -  (Le Trouvère)

Berlin

Allemagne

Schiller Theater

Gläsernes Foyer

"One of the most talked about productions in the world of opera....an undeniable triumph" (Mundoclasico.com) It was a real singing feast that the Berlin State Opera Unter den Linden presented to us in their temporary home in the Schillertheater at the premiere of Giuseppe Verdi's Il trovatore, the middle element of what has been dubbed the "Trilogia popolare" (Rigoletto, Il trovatore, La traviata), offered: Anna Netrebko and Placido Domingo in debut roles at the head of an impressive ensemble sensitively directed by fellow debutant Daniel Barenboim will.

Anna Netrebko, "in stunning form" (The Times), drew a portrait of Leonora that was compelling and immediate from start to finish. At her side - as a true find of the evening - Marina Prudenskaya shone in the role of the vengeful gypsy Azucena: "Extraordinary, this singer! Volcanic heat from the depths of her mezzo-soprano, razor-sharp her heights - and every shade of tenderness and ruthlessness can be found in between ." (Frankfurter Allgemeine Zeitung). Placido Domingo, once the most sought-after Manrico of his generation and here for the first time in the baritone role of Count von Luna, still radiates the "Domingo warmth of bygone times and his magical stage presence ennobles every evening at the opera" (Die Welt). To complete the foursome, Gaston Rivero is an attractive manrico "with an attractive timbre, well-considered phrasing, fine legato" (opera glass). "Finally, Daniel Barenboim's debut as the musical director of this work was positively sensational" (Berliner Zeitung). On the podium of "his" Berliner Staatskapelle "he creates wonderful moments of gentle tone.... and reveals an always fascinating Verdi" (Süddeutsche Zeitung), whose suggestive melodies captivate the audience.

Philipp Stölzl succeeds in a convincing interpretation of one of the most complicated love stories in opera history with jealousy, intrigue, revenge and murder in the conflict between two brothers who are bitter rivals for the hand of the beautiful Duchess Leonora. The internationally acclaimed music video artist, filmmaker and director blends historical and modern elements in a colorful Alice in Wonderland-inspired production, brilliantly realizing in surrealistic video projections and a choreography of scenic lighting that opens up the simple stage area with constantly new perspectives Verdi's consistently cinematic alternation between past and present. "The aesthetic creates a tone of classic and comical," writes Musical America, " a glamorous display and a virtuoso stylistic mix for this production bearing the Philipp Stölzl signature,” agrees Le Monde. The lavish historical costumes by Ursula Kundra and "the colorful shadow-casting expert light by Olaf Freese" (Express, UK) make their own contribution to a brilliant production.

Il trovatore Verdi

Public

Le Trouvère

allemand

Valide

Anna Netrebko, Plácido Domingo & Daniel Barenboim - Il Trovatore - Verdi (Trailer) Listen to „Il Trovatore“ – http://www.deutschegrammophon.com/cat/0735132Su...

"One of the most talked about productions in the world of opera....an undeniable triumph" (Mundoclasico.com) It was a real song festival that the Berlin State Opera Unter den Linden presented to us in their temporary home in the Schillertheater at the premiere of Giuseppe Verdi's Il trovatore, the middle element of what has been dubbed the "Trilogia popolare" (Rigoletto, Il trovatore, La traviata), offered: Anna Netrebko and Placido Domingo in debut roles at the head of an impressive ensemble sensitively directed by fellow debutant Daniel Barenboim will.

Anna Netrebko, "in stunning form" (The Times), drew a portrait of Leonora that was compelling and immediate from start to finish. At her side - as the true find of the evening - Marina Prudenskaya shone in the role of the vengeful gypsy Azucena: "Extraordinary, this singer! Volcanic heat from the depths of her mezzo-soprano, razor-sharp her heights - and every shade of tenderness and ruthlessness can be found in between ." (Frankfurter Allgemeine Zeitung). Placido Domingo, once the most sought-after Manrico of his generation and here for the first time in the baritone role of Count von Luna, still radiates the "Domingo warmth of bygone times and his magical stage presence ennobles every opera evening" (Die Welt). To complete the foursome, Gaston Rivero is an attractive manrico "with an attractive timbre, well-considered phrasing, fine legato" (opera glass). "Finally, Daniel Barenboim's debut as the musical director of this work was positively sensational" (Berliner Zeitung). On the podium of "his" Berliner Staatskapelle "he creates wonderful moments of gentle tone.... and reveals an always fascinating Verdi" (Süddeutsche Zeitung), whose suggestive melodies captivate the audience.

Philipp Stölzl succeeds in a convincing interpretation of one of the most complicated love stories in opera history with jealousy, intrigue, revenge and murder in the conflict between two brothers who are bitter rivals for the hand of the beautiful Duchess Leonora. The internationally acclaimed music video artist, filmmaker and director blends historical and modern elements in a colorful Alice in Wonderland-inspired production, brilliantly realizing in surrealistic video projections and a choreography of scenic lighting that opens up the simple stage area with constantly new perspectives Verdi's consistently cinematic alternation between past and present. "The aesthetic creates a tone of classic and comical," writes Musical America, " a glamorous display and a virtuoso stylistic mix for this production bearing the Philipp Stölzl signature,” agrees Le Monde. The lavish historical costumes by Ursula Kundra and "the colorful shadow-casting expert light by Olaf Freese" (Express, UK) make their own contribution to a brilliant production.

English

Le Trouvère by Verdi, Du (2013/2013), Dirigé par Philipp Stölzl,, Chef d'orchestre Daniel Barenboim, Schiller Theater, Berlin, Allemagne

Crédits de représentation (Distribution et équipe de production )

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