Name: Iphigénie en Aulide
Start: 2011-09-07T00:00:00.000Z
End: 2011-09-22T00:00:00.000Z
Location: Dutch National Opera & Ballet

Organization

Bühnenbild

Michael Simon

Kostümbild

Anna Eiermann

Lichtgestaltung

Jean Kalman

Dramaturgie

Klaus Bertisch

Sopran

Salomé Haller

Artémis

Bariton

Nicolas Testé

Agamemnon

Anne Sofie von Otter

Klytämnestra

Véronique Gens

Iphigenia

Tenor

Frédéric Antoun

Achilles

Martijn Cornet

Patrocle

Bass

Christian Helmer

Calchas

Laurent Alvaro

Arcas

Dirigat

Marc Minkowski

Regie

Pierre Audi

De Nationale Opera

Orchestra

Les Musiciens du Louvre

Les Musiciens du Louvre Grenoble

Iphigénie en Aulide -  (Iphigenie in Aulis)

Amsterdam

Niederlande

Dutch National Opera & Ballet

The two Iphigénie operas by Gluck, adapted from the plays by Euripedes, are rarely staged together. This dazzling 2011 production by Pierre Audi at the Amsterdam Music Theatre was part of a special event highlighting the dramatic unity between Iphigénie en Aulide (based on Racine’s tragedy Iphigénie) and Gluck’s follow-up Iphigénie en Tauride. Though the latter has been a longtime fixture in the repertoire, the former has never been without its great fans—like Wagner, who wrote a German-language version—and has been joyfully rediscovered by wider audiences in recent years. Les Musiciens du Louvre-Grenoble, under the ever-capable baton of Marc Minkowski, play the lavish score while leads Véronique Gens, Nicolas Testé, and Anne Sofie von Otter assure that the timeless drama, in a distinctly modern staging, feels as urgent as ever.

The Greek army, en route to Troy, is stuck in a windless sea. Diana, goddess of the hunt, demands that King Agamemnon sacrifice his daughter Iphigenia to ensure favorable winds for the fleet. The young woman arrives in Aulide, where her sacrifice is to take place, but her mother Clytemnestra begs Iphigenia’s betrothed Achilles to protect her—and eventually Agamemnon, full of remorse, relents. To save her people, who still wish her to go forward with the sacrifice for the sake of the stranded fleet, Iphigenia is prepared to give her life, but Diana—in a significant revision from the original myth—ultimately has a change of heart and consecrates Iphigenia’s marriage to Achilles.

Iphigénie en Aulide Gluck

Public

Iphigenie in Aulis

Genehmigt

Programmheft der Produktion

Weiterführende Literatur