Name: Israel in Egypt
Start: 2022-06-16T00:00:00.000Z
End: 2022-06-16T00:00:00.000Z
Location: Philharmonie de Paris

Organization

Conductor

René Jacobs

Singer

Soprano

Robin Johannsen

soprano

Emmanuelle de Negri

Tenor

Alberto Miguelez Rouco

tenor

Jeremy Ovenden

Bass

Neal Davies

bass

Yannick Debus

Cité de la Musique-Philharmonie

Orchestra

Freiburger Barockorchester

Others

Zurich Sing Academy

Israel in Egypt

Paris

France

Philharmonie de Paris

Grande Salle Pierre Boulez

Handel / Israel in Egypt: Concert Various

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Contralto

Baritone

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Israel in Egypt Händel

Israel in Egypt holds a somewhat special place in Handel's work: entirely written on sacred texts (this will also be the case with Messiah two years later), it was intended to be performed in theatres, which disconcerted the audience at the time of creation. In addition, he shows a particularly marked leaning towards a choral vocality, the choruses far exceeding in number the arias and duets. This opulent writing contributes to making the score a gripping work, which evokes the great moments of the biblical story (the plagues of Egypt, the crossing of the Red Sea) with vivid realism.

English

Israël en Égypte tient dans l’œuvre de Haendel une place un peu particulière : entièrement écrit sur des textes sacrés (ce sera aussi le cas de Messiah deux ans plus tard), il était destiné à être représenté dans des théâtres, ce qui désarçonna le public de l’époque de la création. En outre, il manifeste un penchant particulièrement marqué vers une vocalité chorale, les chœurs excédant en nombre, et de loin, les arias et duos. Cette écriture opulente participe à faire de la partition une œuvre prenante, qui évoque des grands moments du récit biblique (les plaies d’Égypte, le passage de la mer Rouge) avec un réalisme vivide.

français

Israel in Egypt by Händel, Alates (2022/2022), Dirigent René Jacobs, Philharmonie de Paris, Paris, France

Etenduse krediiti (Näitlejad ja meeskond )

Osades

Ansambel

Programm, teave ja kokkuvõte

Fotod

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad