Name: István, a király
Start: 2023-04-20T00:00:00.000Z
End: 2023-05-07T00:00:00.000Z
Location: Hungarian State Opera House

Organization

Певец

Тенор

Zoltán Nyári

István

Меццо-сопрано

Ildikó Komlósi

Sarolt

Сопрано

Rita Rácz

Gizella

Kinga Kriszta

Бас-баритон

Attila Dobak

Vecellin

Boldizsár László

Torda

Attila Fekete

Laborc

Бас

András Kőrösi

Zoltán Megyesi

Solt

Péter Kiss

First bard

Tivadar Kiss

Second bard

Zsófia Nagy

Boglárka

Laura Topolánszky

Picur

Режиссер-постановщик

Miklós Szinetár

Художник по костюмам

Rita Velich

Художник-постановщик

Balázs Horesnyi

Хореограф

Bertalan Vári

Драматург

Eszter Orbán

Хормейстер

Gábor Csiki

Nikolett Hajzer

Переводчик

Arthur Roger Crane

Zoltán Bátki Fazekas

Asztrik

András Káldi Kiss

Баритон

Antal Cseh

Koppány

Péter Balczó

János Szemenyei

Gabriella Balga

Réka

János Szerekován

Bese

Lusine Sahakyan

Saman woman

Diána Kiss

Enikő

First Narrator

Second Narrator

Дирижер

Gergely Kesselyák

Zsófia Kálnay

András Kiss

A mourner

Hungarian State Opera

венгерский

István, a király -  (Стефан Король)

Будапешт

Венгрия

Hungarian State Opera House

István, a király Szörényi

Public

Стефан Король

английский

Одобрено

István, a király

A rockopera szimfonikus operaváltozata két részben, magyar nyelven, angol felirattalA magyar rockopera- és musicaltermés messze legsikeresebb darabja, az Ist...

By far the most successful of the Hungarian crop of rock operas, ever since its original album release Stephen, the King has had not only symphonic features but has also been pervaded by the vocal, closed number structure characteristic of traditional operas, the presence of large tableaus, and instrumentation that gives the rock music universal perspectives. The poems for Levente Szörényi, who approached one of the fundamental stories in Hungarian history through Miklos Boldizsar’s play titled Ezredforduló (Turn of the Millennium), was written by his old co-author János Bródy. The Hungarian State Opera production stages the work with operatic instrumentation and opera singers. Thanks to the entirely symphonic score by composer Levente Gyöngyösi and the opera singers participating in the production, the work completely sheds the need for amplification, allowing new treasures to be discovered in the atmosphere of Hungary’s largest theatre, the Erkel in the interpretation of Miklós Szinetár,  the doyen of Hungarian directors.

English

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