Name: Italian Evening
Start: 2020-03-26T00:00:00.000Z
End: 2020-03-26T00:00:00.000Z
Location: Italian Cultural Institute, Budapest

Admin

Hungarian National Philharmonic

Maestro

Carlo Montanaro

Others

Hungarian National Choir

Orchestra

Cantor

Soprano

Eszter Sümegi

Contralto

Atala Schöck

Alto

Tenor

Gergely Boncsér

Baixo

Miklós Sebestyén

Bass

Mestre de Coro

Csaba Somos

Mezzo-soprano

Mezzosoprano

Tenore

Italian Evening

Budapeste

Hungria

Italian Cultural Institute, Budapest

Italian Evening: Quattro Pezzi Sacri Verdi (+1 More)

Public

Concert

Oratório / Orquestral

Quatro Peças Sacras

Stabat Mater

Saileshwaran Thirumurthy

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contratenor

Barítono

Baixo-barítono

Continuo

Silent

Spoken

Vocalista Infantil

It started with an unusual musical scale. An otherwise not particularly significant musician named Adolfo Crescentini published a scale of seven notes in the magazine of the renowned Ricordi music publishers along with a challenge to composers to write a piece based on it, if they could. The first thing to do would be to find suitable harmonies for it. The ageing Verdi – who entertained himself by composing fugues – took an interest in the impossible task. He wrote an Ave Maria that starts with the seven memorable notes (C, D♭, E, F♯, G♯, A♯, B, followed by C again, with one change on the way back down) sung by the bass part before the other parts take it up at various points. All of this took place in 1889. Later on, independently of the problem of the scale, Verdi took up writing a Stabat mater and a Te Deum, both for chorus and orchestra. To these he added his somewhat earlier piece for a cappella chorus Laudi alla Vergine Maria, written to text from Dante’s Paradiso. These four pieces would eventually come together to become Quattro pezzi sacri. Although they are only linked to each other by their religious content, the elderly maestro approved their being published as a set. After hearing Verdi’s Stabat mater and its evocation of the Mother of Sorrows, it will be a unique experience to hear Rossini’s version of the same medieval Latin so-called “sequence” text.

English

Egy furcsa hangsorral kezdődött. Adolfo Crescentininek hívták azt a nem különösebben jelentős muzsikust, aki a híres Ricordi kiadó magazinjában közzétett egy hét hangból álló sort, azzal a felhívással, írjanak rá darabot a zeneszerzők, ha tudnak. Először is: találjanak hozzá megfelelő harmóniákat. Az öreg Verdit – aki a maga szórakoztatására fúgákat komponált — érdekelni kezdte a lehetetlen feladat. Komponált egy Ave Mariát, amelynek kezdetén a basszusban hangzik a nevezetes hét hang (c-desz-e-fisz-gisz-aisz-h és ismét c, lefelé egy változtatással), aztán átvándorol más szólamokba. Mindez 1889-ben történt. Később egy Stabat mater foglalkoztatta, immár függetlenül a feladványtól, zenekarral, majd Te Deumot írt szintén kórusra és zenekarra, illetve e háromhoz csatlakozott még a valamivel korábbi Laudi alla Vergine Maria à cappella kórusra (ennek szövege Dante Paradisójából való). Ez a négy tétel lett végül a Quattro pezzi sacri. Csak a vallásos tartalom köti őket össze, de az öregúr jóváhagyta együttes közreadásukat. Különös élmény a Fájdalmas Szűzanyát megidéző, Verdi-féle Stabat mater után meghallgatni Rossini verziójat ugyanerre a középkori latin , úgynevezett sequentia-szövegre.

magyar

Italian Evening by Verdi, Rossini, De (2020/2020), Regente Carlo Montanaro, Italian Cultural Institute, Budapest, Budapeste, Hungria

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos