Organization

Admin

IRCAM-Centre Pompidou

Conductor

Fabien Armengaud

Clément Buonomo

Centre de musique baroque de Versailles

Janus 2024

Paris

France

Janus 2024: *New Work Various (+2 More)

Public

Private

*New Work

Requiem

Laboravi, RCT 16

Sagar Haldar

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Contralto

Singer

Mezzo-soprano

Baritone

Tenor

Bass-baritone

Soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Après le festival ManiFeste-2023, deuxième temps du programme Janus conçu par le Centre de musique baroque de Versailles et l’Ircam. Une rencontre rare entre le présent et le siècle classique, entre la création avec électronique et la musique vocale des XVIIe et XVIIIe siècles. La compositrice lituanienne Justina Repečkaitė, qui connaît la musique vocale ancienne, souhaite écrire sur le jeu de texture lié à la mue des voix d’enfant – une problématique qui touche la Maîtrise du CMBV chaque année. Quant à Jug Marković, marqué par le baroque français, il ouvre son esthétique dans une œuvre à cinq voix.

français

In the wake of the ManiFeste-2023 festival, the Janus program, developed by the Centre de musique baroque de Versailles and IRCAM, is back in full swing. A rare encounter between the present and the age of classical music, between electronic creation and vocal music from the 17th and 18th centuries. Lithuanian composer Justina Repečkaitė, a connoisseur of early vocal music, wants to write about the textural interplay associated with the moulting of children's voices - an issue that affects the CMBV's Maîtrise every year. As for Jug Marković, marked by the French Baroque, he opens up his aesthetic in a work for five voices.

English

Janus 2024 by Various, Bouteiller, Rameau, Minn (2024/2024), Surmast Direttur Fabien Armengaud, Clément Buonomo

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