Name: La clemenza di Tito
Start: 2015-05-11T00:00:00.000Z
End: 2015-05-11T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Tenor

Benjamin Bruns

Tito

Soprano

Laura Aikin

Vitellia

Sara Hershkowitz

Servilia

Countertenor

Raffaella Milanesi

Sesto

Flavio Ferri-Benedetti

Publio

Yuriy Mynenko

Annio

Dirigent

Werner Ehrhardt

MusikTheater an der Wien

Orchestra

Orchester l'arte del mondo

italienska

La clemenza di Tito

Wien

Österrike

Theater an der Wien

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Regissör

Librettist

Scenograf

Kostym designer

Koreograf

Ljus designer

Dansare

Skådespelare

Körledare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Baritone

Singer

contralto

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

A production by l'arte del mondo and Bayer Kultur Leverkusen, funded by the Ministry for Family, Children, Youth, Culture and Sport of the State of North Rhine-Westphalia and the Kunststiftung NRW. The guest performance at the Theater an der Wien is supported by the Kunststiftung NRW.

Gluck was supposed to go to Naples for the name celebration of King Charles III. in 1752 write an opera "of a completely different and never-before-heard style". The composer took this invitation to heart and composed a very modern opera, so that the respected composer Francesco Durante was consulted about a controversial passage, who is said to have said: “I do not decide whether this note is a rule or not but what I can say is that if I had written it, I would consider myself a great man. "
Incited by Vitellia, Sesto sets the Capitol on fire to kill Emperor Tito in the tumult. The attack fails. Since Sesto does not want to name his lover as the instigator, he is supposed to die in the amphitheater. But Vitellia confesses her guilt. Tito is lenient and pardons both of them. Pietro Metastasio's well-known and popular text has been an ideal template for paying homage to a monarch since 1734. Gluck succeeded in
breathing new life into the somewhat rigid, typifying figures of the original. Most of the arias from Gluck's La clemenza di Tito are characterized by an intimate sensitivity that Alceste already anticipated on his reormoper .

English

La clemenza di Tito by Gluck, Från (2015/2015), Dirigent Werner Ehrhardt, Theater an der Wien, Wien, Österrike

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Ensemble

Program, Om & Synopsis

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser