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Max Jota

Enzo Grimaldo

Direzione d'orchestra

Igor Bulla

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Dominik Beneš

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Petr Vítek

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Lenka Polášková

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Daniel Tesař

Drammaturgia

Alžbeta Lukáčová

Direzione del coro

Iveta Popovičová

Soprano

Patrícia Malovec

La Gioconda

Mezzosoprano

Michaela Šebestová

Laura Adorno

Contralto

Jitka Sapara-Fischerová

La Cieca

Baritono

Roman Krško

Barnaba

Basso

Ondrej Mráz

Alvise Badoero

Gabriel Sárossy

Zuàne

Peter Račko

Isèpo

Matúš Bujňák

Un cantore

Juraj Kašša

Una voce da lontano

Juraj Duda

Un'altra voce da lontano

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Béla Kéri Nagy

State Opera Banská Bystrica

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Orchestra of the State Opera Banská Bystrica

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italiano

Banska Bystrika

Slovacchia

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Alto

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Voce bianca

La Gioconda je dielom, ktoré tvorí akýsi most medzi verdiovským romantizmom a nastupujúcim verizmom a svojím veľkým baletným vstupom odkazuje aj na tradíciu ...

La Gioconda is a work that forms a kind of bridge between Verdi's romanticism and emerging verism, and with its grand ballet entrance also refers to the tradition of French opera. However, it is definitely not a sentimental peasant drama, such as those composed at the time of its creation (1876) - it is a realistic drama that presents the troubled fates of its actors so believably that it could easily be a picture of contemporary society. At the same time, under the cheerful carnival exterior, Renaissance Venice hides intrigue, a tangle of unbreakable power of the authorities, secret police, spies and state inquisition. It's fun in fear, laughter through tears. Against the background of such a social situation, the complicated fates of the main characters of the love triangle - Gioconda, Laura and Enzo, supplemented by the villain Barnaba - take place.

English

La Gioconda je dielom, ktoré tvorí akýsi most medzi verdiovským romantizmom a nastupujúcim verizmom a svojím veľkým baletným vstupom odkazuje aj na tradíciu francúzskej opery. Rozhodne však nie je sentimentálnou selankou, aké sa v čase jej vzniku (1876) ešte komponovali – je realistickou drámou, ktorá sprítomňuje pohnuté osudy jej aktérov natoľko vierohodne, že by mohla byť pokojne obrazom súčasnej spoločnosti. Renesančné Benátky pritom pod veselým karnevalovým zovňajškom ukrývajú intrigy, spleť neprelomiteľnej moci úradov, tajnej polície, špiónov a štátnej inkvizície. Je to zábava v strachu, smiech cez slzy. Na pozadí takejto spoločenskej situácie sa odohrávajú spletité osudy hlavných postáv milostného trojuholníka –  Giocondy, Laury a Enza, doplneného o zloducha Barnabu.

slovenčina

La Gioconda by Ponchielli, Da (2023/2023), Diretto da Dominik Beneš,, Direttore d'orchestra Igor Bulla

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