Name: La Vergine dei dolori
Start: 2008-07-09T00:00:00.000Z
End: 2008-07-11T00:00:00.000Z
Location: Grand-Théâtre

Admin

Organization

Cantor

Anna Simboli

San Giovanni

Sara Mingardo

Maria

Mezzo-soprano

Romina Basso

Nicodemo

Tenor

Daniele Zanfardino

Onia

Maestro

Rinaldo Alessandrini

Diretor de Palco

Ingrid von Wantoch Rekowski

Cenógrafo

Nicola Rubertelli

Estilista

Christophe Pidré

Designer de Iluminação

Claudio Schmid

Opéra National de Bordeaux

Others

Concerto Italiano

La Vergine dei dolori

Bordéus

França

Grand-Théâtre

Grand Foyer

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo

Baixo-barítono

Contratenor

Barítono

Soprano

Contralto

Alto

Continuo

Silent

Spoken

Vocalista Infantil

The Virgin of Sorrows Oratorio for four voices after La Vergine addolorata c reated in Salerno in 1717

Production Teatro San Carlo in Naples

I kiss you, oh beloved face that made me happy. Here you are extinguished and become my martyrdom.
The Virgin of Sorrows - Mary, Part Two

If La Vergine dei dolori , a major score by the prolific Alessandro Scarlatti, was a great success when it was premiered in 1717, it is because of its obvious musical richness, combining arias filled with emotion, particularly expressive recitatives and accompaniments by a noble sobriety. Drawing this pearl from oblivion, Rinaldo Alessandrini gives it a deep mystical breath, illustrated — like a tableau vivant — by Ingrid von Wantoch Rekowski. Also this exciting oratorio imposes itself as an “essential” of Marian music. Duration: about 2 hours

English

La Vierge des douleurs Oratorio à quatre voix d’après La Vergine addolorata créé à Salerno en 1717

Production Teatro San Carlo de Naples

Je t’embrasse, ô visage aimé qui faisait ma joie. Te voici éteint et devenu mon martyre.
La Vierge des douleurs - Marie, Deuxième partie

Si La Vergine dei dolori, partition majeure du prolixe Alessandro Scarlatti, obtînt un vif succès lors de sa création en 1717, c’est en raison de son évidente richesse musicale conjuguant arias emplis d’émotion, récitatifs particulièrement expressifs et accompagnements d’une noble sobriété. Tirant cette perle de l’oubli, Rinaldo Alessandrini lui donne un souffle mystique profond, illustré — à la manière d’un tableau vivant — par Ingrid von Wantoch Rekowski. Aussi ce passionnant oratorio s’impose-t-il comme un « incontournable » de la musique mariale. Durée : environ 2 heures

français

La Vergine dei dolori by Scarlatti, Alessandro, De (2008/2008), Dirigido por Ingrid von Wantoch Rekowski,, Regente Rinaldo Alessandrini, Grand-Théâtre, Bordéus, França

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Leitura adicional

Datas e locais de apresentação

Locais de Eventos